One guitar, or three?


Many fans of Rock music guitar playing consider the players who were the only guitarist in their band "the best": Jimi Hendrix (in The Experience), Eric Clapton (in Cream), Jeff Beck (post-Yardbirds), Jimmy Page, Billy Gibbons (ZZ Top), Eddie Van Halen, Stevie Ray Vaughan, the clown in Black Sabbath, etc. etc.

I on the other hand have a love of not the classic 2-guitar line-up (The Beatles, Stones, Rockpile, etc.)---good as that can be---, but of 3-guitar bands: Buffalo Springfield, Moby Grape, Fleetwood Mac in their Peter Green/Danny Kirwin/Jeremy Spencer period, and The Flamin’ Groovies in the Shake Some Action album era.

Three guitars is even more musical than two, and far more so than one. All kinds of little song parts are possible with three musical instruments, and Springfield and The Grape really exploited the possibilities. One guitar is so, well, 1-dimensional. Sure, on recordings the single guitarist in a band can recorded multiple parts, but "lead" guitarists rarely think in "song part" terms, but instead in "guitar chops" terms. Know what I mean?

I bought the first two albums by both Cream and Hendrix when they were released, and saw both live twice in 1967 and ’68. But the music of both got old pretty quickly, I losing interest after those albums. You may disagree. ;-)

Now, one guitar is fine if you have other musical instruments (bass and drums can be played musically, but they aren’t "chordal" instruments), such as piano and/or organ. Two of Rock ’n’ Roll’s most musical ensembles had both piano and organ, and only one guitar: The Band and Procol Harum. Those bands also had great songs. Coincidence?

If anyone has other 3-guitar bands/groups to recommend, I’m all ears.

128x128bdp24

Showing 3 responses by edcyn

I can only recommend a two-guitar band -- the Seventies punk/new wave band Television. Alarmingly evocative twin lead guitar breaks from guitar players Tom Verlaine and Richard Lloyd.. Alternately intertwining and at war. The album Marquee Moon has plenty of them. Saw them at the Whiskey. Still one of my favorite concerts ever.

Where did I see Emmylou and the Hot Band? Hollywood Bowl? Greek Theater? The Palomino Club in North Hollywood? In any case, not as tight as I wanted them to be. But I still treasure their LPs, 30+ years on.

In any event, I gotta say that I do get a kick out of it when a poster gets a bit impatient when another poster doesn't address the thread's original question specifically enough. Shouldn't we consider the initial post a conversation starter and nothing more? The way I see it, hanging out at these sites is like hanging out at a party or a bar.

@bdp24

When it comes to Bluegrass I am definitely of two minds.I don't listen to Bluegrass very much when I crank up the stereo but I do actually play a lot of it.

It tends to be the genre my fingers automatically gravitate to when I pick up my admittedly Bluegrass-centric musical instruments -- fiddle, banjo and steel-string acoustic guitar. It is fun as heck to go to Bluegrass jams. By the same token, however, more often than not Bluegrass players tend to be cold technicians who value flash & cliche over heart & finesse. There's a sameness to the chosen tempo(s) and touch that drives me crazy.

I might mention, too, that the folks who play what is Bluegrass' precursor, Old Time, genuinely hate what is designated Bluegrass. It's kind of funny to hang out & play alongside both crowds.