Old Amps that can still Kick Butt


Not being a believer that time necessarily = progress, I would like to offer the following example of a sonic gem that has transcended time and can totally kick butt in a modern milieu:

The Robertson 4010. I got one of these about two years ago because it was in immaculate condition, the price was so low and I was inquisitive. I hooked it up and let it warm up for a couple of days. OMG this thing was in the super amp league: Transparency to die for, slam that you couldn‘t‘ believe for for a 50W amp.. Peter Moncrieffe wasn‘t wrong in his review of this amp: this thing is in the Sterreophile Class A component category hands down. Even after all these years.

What amps have you encountered that have defied time and can still kick butt today?


pesky_wabbit

Showing 2 responses by atmasphere

Most of the amps listed here will sound fine at low volume. But if you want to blast they’ll get painful. The mark of a good system is one that sounds smooth and detailed (not brightness masquerading as detail) even at high volume.


The problem is caused by insufficient feedback. At low frequencies the feedback is fine, which is why they can play bass well. But as frequency is increased, the distortion goes up with it because the design lacks the Gain Bandwidth Product needed to support high levels of feedback at high frequencies. This results in harshness and brightness since that is how the ear perceives the higher ordered harmonics generated by the amp.

You can’t just add more feedback; you might exceed the phase margin of the amp, causing it to oscillate.


Its a compromise.


I have a lower powered Radio Shack amp that sounds fine as long as you don’t push it hard. It tends to make the 2nd harmonic as its primary distortion product and that masks a good deal of the higher orders. But at higher volume levels there isn’t enough lower ordered content to mask anymore- and so it gets harsh. But if I run speakers that have enough efficiency, the amp never gets to those volumes and it sounds fine.

Put another way, even though a lot of the amps mentioned so far can make quite a bit of power, matching the speaker to them (using an easier to drive speaker) is paramount to getting the most out of them.
Circuit refinements are rare, and the effect on sonic end points that the given amplifier circuitry that is new can deliver -- is highly debatable at best.
This statement is incorrect.

The thing that's been plaguing amplifier design for the last 60-70 years is distortion caused by feedback- due to limitations in circuit design that limits how much feedback can be applied. There are things that have happened in the last 20-25 years that have dealt that problem a serious blow! Insufficient feedback is why amps get harsh when you crank up the volume. This problem is literally why tube amps are still being made.