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Ocellia vs Tannoy?

Hi,

After having been in this hobby for a while and having tried and owned different systems with speakers like Dynaudio, Coincident, Brentworth, DIY speakers from Lynn Olson and Troels Gravesen and most recently Vapor Audio Cirrus (an excellent speaker but without the high efficiency I'd like), I had the oportunity to hear a good SET amp in my system and was blown away by the musicality of it, specially the fluidity, platicity, tunefulness of the music. As I'm mainly into opera and classical, this fluidity reminded me of what I love about going to the concert halls. Unluckily, this SET didn't have the power to reproduce big scale symphonic in my 87.5 dB efficient Cirrus.

I haven't been able to erase that experience from my mind, so now I'd like to make myself a system which puts the musical values first and not the usual audiophile values (tone, dynamics, timing and fluidity vs soundstage, extension, ultimate detail, etc.).

So, in the search for a really musical speaker, I've narrowed my search to two options: Ocellia (either the .21 or the .30 Signatures), or Tannoy (either Kensington, Yorkminster or Canterbury), which many people regard as superbly musical speakers. Even of they're not the same technology (wide-bander vs Dual concentric), I think they share many of the same characteristics which I'm after: paper domes with Alnico magnets with point source emittance for vibrant, colorful and solid imaging, excellent micro and macro dynamics, a very fluid sound and good eficiency to be able to use low and mid power amps.

I know it'd be ideal to listen to both of them first, but that's not possible since I live in Mexico and neither of them has distributors here, nor do I know anyone who has either, so I'd appreciate the opinion of those of you who have heard them.

Also, my room is a bit small: 3.3 x 5 m (10' x 15'), so I don't think it could handle big speakers well.

Amplification would be a DHT SET or PP amp.

Hope you can help me
Regards,
jjbraham
jjbraham OP
1 posts
 
Thank you very much for your answers.

As some of you say, the problem I see with Tannoy is that I think my room is too small for them, which makes me think the Ocellia's would be better suited to my room. Also, the bigger implementation needed for Tannoy is something to consider.

Phaelon, your comment about the polarizing opinions on PHY drivers intrigues me, do you know the reasons why some people hate them? That could help me realize if they're what I'm after or not.

I did thought about the Cirrus white, but I don't like the sound of the ceramic drivers I've heard so far (or Berillium), as they usually have whitish and lean tone colors, and I'd like something a bit bigger and efficient.

Regards,
phaelon
1,038 posts
 
Jjbraham, I haven’t heard any speaker using PHY drivers myself but would like to very much.

In retrospect, I probably shouldn’t have made that comment about PHY speakers without the qualification that the people, who I know, who didn’t like them, don’t like any speakers using wide bandwidth drivers full range. Comments include: They don’t play loud enough, they suffer at the frequency extremes, are too colored, sound congested when confronted with complex music, and are dynamically challenged. These, of course, are opinions and are relative. But because I respect some of the people who feel this way, and have equal respect for those who disagree, I would not make an uninformed purchase unless I was buying them used at a good price - just in case I had to sell them.
nd4speed
16 posts
 
To be honest, for your size room I don't think either one is optimal.

The Tannoy is obviously too big for your room.

Everything I've read about the Ocellia suggests they need adequete "room to breathe". If you look at some of the pictures of people that have deployed them (especially Ocellia's own listening room), it seems to support this. They are semi open baffle, which means that room interactions are probably going to play a more critical role in the sound than usual, so you'll need the space to be able to move them around until they are "tuned" properly to your room.

Rear ported speakers like AN-E would probably be perfect because they require corner loading and these happen to be small also. Back loaded folding horns would be a good choice also for the same reason; although they'll be bigger than AN-Es. Other horn designs like the labrinth loaded Rethm (shameless plug I know as I'm selling a pair) would also work better than your choices in terms of size occupied, positioning, and ultimately sound quality all IMHO.
charles1dad's avatar
charles1dad
10,236 posts
 
The Ocellia has an adjustable door/port on the rear lower cabinet to allow placement in rooms of different dimensions.That 'may' be of some benefit in a room this size.
Regards,
bayreuth
25 posts
 
The Tannoy Kensington could work very well in your room size with DHT SET amps of 8 watts or greater. These should excel at vocals and classical music, unless you play your music at extreme volumes. The dual concentric design offers exceptional imaging and coherence. The higher sensitivity rating of the Canterbury may be misleading, and higher power may be required to adequately control that large driver.
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