Nottingham Spacedeck vs Rega Planar 8 vs Technics SL1200G


Hey Everyone,

An analogue newbie needs your advice.

Firstly I am not looking for any TT recommendations other than these 3.

My system is Devore O96, and the amplification would be either Lyngdorf 3400/Coincident Frankenstein combo or a Shindo pre/amp combo (forthcoming). The phono stage is TBD.

The sound I like is rich, full-bodied, with a good bass (I love percussion, and the double-bass instrument and  Mingus is my fav jazz artist). I am very sensitive to even a hint of brightness. I don't care about the typical audiophile presentation -- gobs of detail and soundstage but no soul.

My music of choice is jazz, vocals and small-scale instrumentals. No rock, no pop, no western classical.

Would love your thoughts on these 3 choices.

Since I am a newbie, easy setup is big win, which might tilt me towards the Rega or Technics, but with Nottingham I have a great dealer support that I would completely miss out on if I went with Technics (no Technics dealer in a 5000 mile radius).

I used to own a Rega RP6, so am familiar with Rega sound, and like it. But my RP6 was bested by my DAC (AMR DP-777) so sold it a few years ago. So I want a TT that will compete with any sub-10000$ DAC.

Looking forward to your thoughts that will help me scratch my analog itch.


essrand

Showing 3 responses by terry9

I owned Rega, moved up to NA Mentor (precursor to the Dais). The table is not suspended, so it can take an air bearing tonearm. I use the Trans-Fi, which is surely the best bargain in audio at $1000. Cartridge is a Koetsu.

The 'heavy' kit is worth considering, now or in the future. So is the Wave Mechanic. I gave away my older but well regarded Technics 150 Mk2; not in the same league. Not even close.
@atmasphere 

Interesting test, Ralph. Just did it with two test LP's.

The first was a 20-20K sweep on a highly dished test LP. The sound was audible with no amplification from the seating position.

But, with the Analogue Productions test LP, in new condition, bands 6 and 7 generated almost no audible sound, peaking at about 400Hz (Side 1, band 6 is 1K to 20K sweep, band 7 is 1K to 20). This would appear to indicate a good coupling between the record and platter.

But the upper platter is isomolded graphite (GM-10), with a listed hardness of 65psi. This would seem to be notably harder than the vinyl used in LP's - but my interpretation of the data I could find, may be wrong.

What are your views?
Good question, Ralph. I suspect that my spectrum analyzer is too slow - but I’m sure that it’s too heavy! That will have to wait until I have help to move it.

However, since the AP LP was an order of magnitude quieter than the other LP at all frequencies, and only somewhat more audible at 400Hz than at other frequencies, does this not suggest that the coupling is pretty good? Agreed that 400Hz seems less good... The graphite platter has a natural resonance of 2KHz, the cast iron subplatter of 500Hz.

Settled on this configuration after other platter pads sounded muddy by comparison.