NOS Tube Recommendation for Quicksilver Phono Pre Amp


I recently upgraded from the onboard phono stage in my Technics 1500SL to an all tube Quicksilver Phono Pre Amp. I’m about half way through the 30 hour recommended break-in period and so far, there is a lot to like about this piece of gear: Much thicker/more pronounced bottom end (I’ve had to readjust the gain on my subs quite a bit) and much wider/more defined sound stage. However, because I’m also running an all tube integrated amp (Raven Audio Osprey), there is now a very noticeable "warm" coloration to the music that wasn’t there before. I don’t want to give up on my new phono stage, but it’s like I’m listening to music with a wool blanket over my speakers. I’m thinking rolling the tubes to something a little cleaner/brighter could give me the best of all worlds. There are 3 tubes in the circuit topology: 2 12AX7s (one input, one gain) and 1 12AT7 (cathode follower). I’m currently considering a matched pair of Raytheon JRP black plate 12AX7s and either an RCA or Telefunken for the cathode follower (all NOS). Any and all suggestions/inputs are very much appreciated! P.S. my speakers are Raven Audio Corvus Reference Monitors and my current cart is the always amazing Nagaoka MP-500.

crawfishdaddi

Showing 1 response by inagroove

When I needed to replace the tubes in my Phono Preamp, I called the manufacturer, Zesto.  Fortunately, they are a small to mid-sized manufacture and the owner/designer/salesman, George, is a wonderful guy who loves to speak with audiophiles.  

He told me that he listened to many new and several NOS sets of tubes when voicing my Andros 1.2.  His choice for the 'Best Sounding' tube was current production (and inexpensive) JJs gold.

You may want to contact your gear's manufacturer... like George at Zesto, they probably have done their homework!

@ larryi, thanks for the information on Tele-fakes. Perhaps this is why so many folks are reporting that modern-production tubes, of various brands, sound as-good or better-than NOS tubes.