New Aerail 10T's


I just got my new (to me) Aerial 10T's and am slowly picking my jaw up off the floor.

I'm feeding them from a Linn Unidisk SC and a single 125W x 2 from 2 channels from a Linn AV5125- I know this is virtually starving them - but I am simply blow away by them - still.

I am waiting on some newly acquired power to drive them which I suspect will only improve things.

I have fantasized about the 10T's since about 1996 - it's truly a dream come true to finally have some of my own. I know they are old news to most - but to me they are even beyond what I remeber them as being.

Sorry to blabber on and on - but I am one happy listener right now. :)
jim_swantko
Hi Jim,

I think Mike Kelly is a graduate of New Hampshire University, but I could be thinking of someone else. In any case, the 10t's are a classic speaker. I bought Beemer's (Hi Paul!) and they have been wonderful. Even though I've changed speakers in my stereo I'll probably keep the 10t's and see how they work in my HT. Placement is very important with them. You'll know when it's right because the bass will sharpen and not sound muddy. Get them far away from any walls.

Enjoy!

Dan
I am fairly sure he got his degree in physics from NCSU - then went to NH to teach... then on to UNC Chapel Hill (Mike what the hell were you thinking with that move??!) haha.
the most dynamic speaker i have ever heard on the planet, the A-10ts with the Danish Gyphon Class A-100, about $3,000.00 used on Audiogon, I believe. The Amp will draw enough current from the wall to cause your juice bill to spike, but it will be worth it.
No, 300W is not too much. I drive my 10T's with a Krell FPB400cx. It's rated at 400W/per channel into 8 ohms, and measured 913W into 4 in a review. And I crank it.
The same month that the Stereophile review came out for the debut Aerial 10T I got to hear them on a big Spectral syatem. I listened to that system for over an hour and could never associate the sound I was hearing as eminating from the speakers themselves. The orchestra was there before me in a deep and wide soundstage, each instrument in its distinct location. That was the system that gave me a glimpse of what was possible with two-channel music reproduction and I remember the experience very well to this day.
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