Need a line stage preamp


My Acurus LS11 line stage preamp (early 90’s vintage) seems on its way out.  Or I think so.  I’m noticing that the right channel doesn’t seem as “peppy” as the left channel.  I’ve deduced this through various tests and I’m left with my diagnosis.

that being said, I like this little preamp, and I could send it somewhere to be fixed. On the other hand, I could also buy a new or used preamp, but the “law” has laid down the law and she’s nixing anymore serious spending. 
FYI, I use the preamp to run an ARC Classic 60 amp.

My budget is only $500, so unless I can find an equivalent pre I’ll be forced fix it. The question is who does good electronic testing and repair or can anyone suggest an equivalent component?
last_lemming

Showing 4 responses by almarg

When it comes to line-level analog interconnections between source components and preamps issues relating to impedance compatibility are no different than when it comes to analog interconnections between preamps and power amps.

To assure impedance compatibility, in both cases the input impedance of the component receiving the signal should be at least 10 times as much as the output impedance of the component providing the signal, at the frequency within the audible range for which that output impedance is highest. In the case of many and probably most tube-based source components as well as many tube-based preamps output impedances are highest in the deep bass region, specifically at 20 Hz. And the output impedance at deep bass frequencies such as that can be much higher than the specified output impedance, which is usually based on a mid-range frequency such as 1 kHz.

Not meeting that criterion doesn’t necessarily mean that there will be a problem; it depends on how the impedances vary as a function of frequency. But meeting that criterion assures that there won’t be an impedance compatibility problem.

Many tube-based source components and tube-based preamps have specified output impedances that are reasonably low, but that can rise to thousands of ohms at 20 Hz. That kind of output impedance would result in significant rolloff and undesirable phase shifts in the deep bass region when driving 10K, regardless of whether the 10K is the input impedance of a preamp (driven by a tube-based source component) or the input impedance of a power amp (driven by a tube-based preamp).

Finally, as far as I can tell from the specs the input impedance of the Freya S is 10K regardless of whether it is used in active or passive mode.

Regards,
-- Al

Edit: I see you’ve added an indication of the source components you are using to your post just above. I would not expect those particular components to have a problem driving 10K.
@last_lemming

Note that I was referring to the 10K **input impedance** of the Schiit models that were mentioned, and the possible incompatibility that might cause with the output impedances of **source components** (especially tube-based source components), not with your amp.

Regards,
-- Al

Keep in mind that the input impedance of the Freya S is only 10K, which is too low to be optimal with many tube-based source components.

Also, as Coach pointed out the two versions of the Saga do not provide any gain, while also having a 10K input impedance.  Your LS11, btw, provides 18.8 db of gain, so with either version of the Saga you would be operating the volume control at far higher settings, while possibly even running out of range on the control especially if you have a phono-based source.

The Antique Sound Lab line stage I linked to, btw, provides gain of about 22 db, just a bit higher than the gain of your LS11, while having an input impedance of 100K.

Regards,
-- Al

If you don't require the balance control or the tape loop your LS11 provides, you may want to consider the following very law-abiding model, costing $450 new:

http://www.divertech.com/asllineone.html

Spec-wise it appears to be a fine match for your Classic 60 amp.  And you could have some fun rolling its single 12AU7 tube.

Some years ago I temporarily used its predecessor model, the Line One, in my main system while my main preamp was down.  It sounded remarkably good, even with its stock tube, which I attribute mainly to the simplicity of its circuitry.

Good luck.  Regards,
-- Al