I live in Seattle and the acoustics at Benaroya Hall are excellent. With that said, I still have my preference regarding seating position. Even though the sound is pretty clear in all locations, if I'm too far back the orchestra sounds small and the soloist diminished. I prefer to be about 1/3 the way back in the hall. Besides locational preferences, the other issues you mention (e.g. rolled off highs) may be associated with hall acoustics. One thing I enjoy doing from time to time is sitting close up front. If you want soundstage, you'll get it there! A massive 180 degree side-to-side positioning of sound - and you can close your eyes and let your brain try to locate what you are hearing. Front to back soundstage may be lost somewhat, but it's alot of fun!
My audiophile take on the symphony last night.
65 piece Santa Cruz Symphony at the Civic Auditorium.
My wife said it wasn't loud enough and I agreed. The highs were rolled off and there wasn't an expansive soundstage. I couldn't "hear behind the instruments" like I can at home on the hifi. The soloist sounded small and far away and the bass drum lacked definition.
In spite of all that we were listening to a live and real performance. Our seats were the highest price available.
This was very interesting, intriguing and food for thought audio-wise. Also great people watching.
My wife said it wasn't loud enough and I agreed. The highs were rolled off and there wasn't an expansive soundstage. I couldn't "hear behind the instruments" like I can at home on the hifi. The soloist sounded small and far away and the bass drum lacked definition.
In spite of all that we were listening to a live and real performance. Our seats were the highest price available.
This was very interesting, intriguing and food for thought audio-wise. Also great people watching.