Music to take to an audition


I’ll never forget hearing flagship Infinity speakers in Alaska in the late 70’s. That experience put me on a path that I have been traveling on ever since. To this day, I remember the music they played at the time.....Toccata from Mannheim Steamroller’s Fresh Aire III album. That quickly became a yardstick for me and I still listen to that same Fresh Aire track when I evaluate new equipment.

It is important to have a fairly small set of diverse music selections you are very familiar with and have hopefully been able to hear on the best of systems. The music should not just be challenging to the equipment and listening room but also something you enjoy listening to.

I would be interested in what other people use to evaluate prospective components and why. Here are a few of my selections:

America-America-Donkey Jaw. (Great acoustic guitar, dynamics and holographic soundstage)

Mannheim Steamroller Fresh Aire III Toccata (Great recording, deep base notes with synth highs floating above)

Graham Parker-Another Grey Area-You Hit The Spot (Tight clean base control, holographic soundstage, nothing beats Graham Parker rhythm)

Tchaikovsky 1812 Overture on Telarc (A challenging recording for every piece of equipment in the chain, particularly the analog front end. Watch out for the cannon blasts!)

Badfinger-Straight Up-Baby Blue. (If you can get this right say no more)

ligjo

Showing 2 responses by millercarbon

Hey mc......think we’re birds of a feather here

Pretty sure the "reference" thing is a phase. Probably most if not all have to go through it. But it is kind of like going back and forth. You do that for a while in the beginning, just to be sure. Like it is hard to believe your own ears. (You see it all the time around here, some it seems refuse to believe their own ears!) After a while though you either move on or find yourself in a rut. I have no need to go back and forth. Heck I don’t even need to play the same track!

My great mentor Stewart Marcantoni, one of the best listeners I ever knew, hardly ever sat in the sweet spot. Hardly ever even stood still. Oh, he would do it. But you could tell it wasn’t his usual thing. Yet nothing got past that guy!

The "reference disk" is a phase. Like training wheels. They serve their purpose. Until you learn to ride.
This was a topic I could get into, back when I had need of such routines. Learned a long time ago, if you think you need "reference" tracks to judge stuff, don't bother. There's at least 50 other things going on, you think one is going to make any difference? You're not ready to evaluate anything.