I have owned a Maverick for about two and half years. It has given me some serious headaches. On about a half-dozen occasions, without warning, the program stopped and the speakers exploded with a loud hissing. Did I say loud? I mean LOUD. I could not get off the couch quickly enough to turn the thing off. Additionally, much more frequently, certain discs caused the machine to start with an easily discernible rumble that would only fade after four-to-five minutes of play. Initially I thought the CD's were defective, but after one too many espisodes of the white noise explosions, I emailed Music Hall and asked for advice. Never heard from them. I went on the net and did some checking. On AudioReview.com two owners related similar experience. I read an Audiogon ad listing a Maverick for sale in which the seller listed the same two problems. (What an honest guy.) I contacted the dealer and he put me in touch with the authorized repairer who cured the rumble, and so far the white noise too. Cost me $200 and couple 140-mile round trips to the repair station. The repairer generously loaned me a Jolita tube-based player while mine was in his shop. It was quite nice. But both my wife and I agreed it was not up to the Maverick's capabilities when it was working right.
I have decided to keep the Maverick. Originally I intended to fix it and then get rid of it. But I changed my mind mainly because the Maverick does its part with my Music Hall Mambo and Magneplanar 1.6qr's in reproducing the best sound I have ever heard, or want to hear. For example,in my living room setup, the Stones' "Hot Rocks" SACD sounds like the band is right there. And you know how magazine reviewers frequently write about hearing additional musicality when listening to whatever new piece of equipment they are reviewing? Well it happened to me with the Mambo and my present rig. I put on Liszt's second Hungarian Rhapsody--the Berlin Philarmonic version with von Karajan conducting. It's on the Deutsche Grammaphon label. At first, I thought something was wrong and replayed the passage. I was shocked when I realized that I had just heard for the first time how impressively beautiful a concert piano can sound. I was almost euphoric. Now everytime I play anything I listen carefully to the individual instrumentation and voices and to the overall impression of the music. I realize that listening this way is overly analytical, but my system invites it. Complete listening satisfaction has been the result. I can't ask for more. So the Maverick stays.
I reccommend that you visit all the dealers in your area. Listen to each player's performance on the kind of music you enjoy. Take your time and be thorough. I think Philips has introduced a new SACD player for less than half the price of the Mambo. McIntosh has a new player that goes for more than twice the Mambo. The Jolita tube player is one to audition, if you get a chance. But the loaner I had did not have SACD capability.
You won't be sorry you took time to personally test each player. Then when you make your choice, be sure to play the machine frequently while it is still under warranty. Hopefully any bug will surface while the manufacturer is responsible. Personally I think it is scandalous that Music Hall put a player on the market that cost as much as I paid for mine, but had such serious defects.
Good luck.
I have decided to keep the Maverick. Originally I intended to fix it and then get rid of it. But I changed my mind mainly because the Maverick does its part with my Music Hall Mambo and Magneplanar 1.6qr's in reproducing the best sound I have ever heard, or want to hear. For example,in my living room setup, the Stones' "Hot Rocks" SACD sounds like the band is right there. And you know how magazine reviewers frequently write about hearing additional musicality when listening to whatever new piece of equipment they are reviewing? Well it happened to me with the Mambo and my present rig. I put on Liszt's second Hungarian Rhapsody--the Berlin Philarmonic version with von Karajan conducting. It's on the Deutsche Grammaphon label. At first, I thought something was wrong and replayed the passage. I was shocked when I realized that I had just heard for the first time how impressively beautiful a concert piano can sound. I was almost euphoric. Now everytime I play anything I listen carefully to the individual instrumentation and voices and to the overall impression of the music. I realize that listening this way is overly analytical, but my system invites it. Complete listening satisfaction has been the result. I can't ask for more. So the Maverick stays.
I reccommend that you visit all the dealers in your area. Listen to each player's performance on the kind of music you enjoy. Take your time and be thorough. I think Philips has introduced a new SACD player for less than half the price of the Mambo. McIntosh has a new player that goes for more than twice the Mambo. The Jolita tube player is one to audition, if you get a chance. But the loaner I had did not have SACD capability.
You won't be sorry you took time to personally test each player. Then when you make your choice, be sure to play the machine frequently while it is still under warranty. Hopefully any bug will surface while the manufacturer is responsible. Personally I think it is scandalous that Music Hall put a player on the market that cost as much as I paid for mine, but had such serious defects.
Good luck.