Auralone,
I own heavily modded Acoustat 2+2s. I've owned and still own cabinet speakers. I've heard many types of speakers in audio shows throughout the years. More recently Wilson Alexandrias on big band and symphonic orchestras at a private house.
You might say Alexandrias cannot be considered reference in this discussion because of their very high price. Truth is, on massive orchestras and choral music, electrostatics are not considered the best. They lack the dynamic punch and quickness to follow heavy loads in some recordings. And when they do, they often do it for a short time before the amps start clipping. I've seen (and heard) Acoustat 6600 speakers overload a Plinius 250 MKIV and Krell KRS 100W class A monoblocs. And they were not playing that loud.
The best combination I've listened to was electrostatics combined with a very good subwoofer by a knowledgeable audiophile who could fine tune the adjustment.
Otherwise, on easier loads like jazz, small orchestras, voices, worl music, electrostats are hard to beat at their price. I haven't heard anything that can satisfy me as much for their their opened sound, complete presence and soundstaging at low to mid volumes. Everything supplying them beeing equal.
Regards !
I own heavily modded Acoustat 2+2s. I've owned and still own cabinet speakers. I've heard many types of speakers in audio shows throughout the years. More recently Wilson Alexandrias on big band and symphonic orchestras at a private house.
You might say Alexandrias cannot be considered reference in this discussion because of their very high price. Truth is, on massive orchestras and choral music, electrostatics are not considered the best. They lack the dynamic punch and quickness to follow heavy loads in some recordings. And when they do, they often do it for a short time before the amps start clipping. I've seen (and heard) Acoustat 6600 speakers overload a Plinius 250 MKIV and Krell KRS 100W class A monoblocs. And they were not playing that loud.
The best combination I've listened to was electrostatics combined with a very good subwoofer by a knowledgeable audiophile who could fine tune the adjustment.
Otherwise, on easier loads like jazz, small orchestras, voices, worl music, electrostats are hard to beat at their price. I haven't heard anything that can satisfy me as much for their their opened sound, complete presence and soundstaging at low to mid volumes. Everything supplying them beeing equal.
Regards !