Guys..thanks for your input.
Dougdecon: I'll try your method to see if it helps.
And just a "little" more info on what i have experienced:
The reason why i want to use a test record isnt because i want torture my setup or anything..believe me, i want to spend time listen to music than doing that. The thing is that i need a guideline, a startpoint in order to choose the right anti-skating for my turntable-arm-cartridge setup. Given that different cartridge's stylus profiles, different types of vinyl require different amount of anti-skating force, i think that using a real-life playing condition (test record) to set anti-skating might be better/more correctly than the general, theoretical method which set anti-skating force relatively to just tracking force.
Others have suggested that dirty or damaged records might be the cause of the sibilance pulling to one channel (beside wrong Anti-skating). I already took this into account, but the records i have problem with are NEW, and i also tried to chean them using VPI record cleaning machine and various cleaning fluid brands. It just help the records play quieter with less groove noise without improving the sibilance issue.
I checked cartridge alignment numorous times using Feikert tractor, Wally tractor, and also manufacturer supplied aligment tools..and the alignment is spot on..i dont think it can get any better than that. In some cases, the cartridges tracks the test records slightly better but it still DOES NOT improve much on that sibilance.
(Combos that were set up for me by experienced dealer personel results in the same problem.)
Some suggested that with the sibilance pulling to the left channel indicates too much anti-skating. I tried reducing anti-sakting force until the right channel is at the edge of mistracking and it still doesnt improve !
Arm-cartridge incompatible? I just got an SME20/2 with SME IV.Vi running a Lyra Helikon as suggested by most people here and over at Audiogon..and still there is the same problem on those so-called "Audiophile " discs !!! Also tried that combo with that Blackbird, Koetsu Urushi..the result is more or less similar.
Why do the LPs from the 60s-70s-and even 80s dont exhibit or rarely exhibit this problem while so many of the current "audiophile" discs nowadays do?? Those of those older LPs might not sound as good of their current sibblings but they also do not have these weakness. Many other aspects of music-reproducing of these new LPs are very satisfactory like soundstaging, imaging, bass, mid, hi freg, 3d stereo image..etc...EXCEPT female vocal's sibilance. It sounds SO UNATURAL when the image of the singer is so vivid, 3d infront of you and her sibilance is like 7, 8 feet away from where her mouth is. I found that the percussive aspect of sound-reproduction is the key of localization the sound source; and the percussive aspect of human being's singing is the sibilance or consonant. If a system cannot reproduce this correctly then it is no good.
Table level? It is like impossible to level a turntable spot on..even with tight-precision like the SME..i used different bubble level with different sizes, shapes and the reading is different at different place on the turntable. even when the suspended subchasis might be level, then the plater is not..vice-versa...so i just tried to level the chasis, then subchasis relatively so that i get a level reading on the platter at the plane of playing (the plane where the stylus reads the groove). If you have any better method of leveling turntables, I'd LOVE to hear from you.
I will try the zerostat as suggested, not sure how much it will help but i will try..dont wanna rule out any possibility.
Uneven Sibilance due to room acoustic ? standing wave? early reflection? I have the CD or SACD of the same content as the LPs and play them on my Ayre universal C-5xe without any sibilance problem. Many cds/sacds have very strong sibilance but it even on 2 channels and stay where the singer's mouth is...so that possibility is safely ruled out.
So..what else can i try now? Or I have to settle with the fact that this is a prominant limitation of Vinyl playback using pivoted tonearms, and i will have to spend much more money on tables with linear tracking arms with fussy, noisy airpump to play these audiophile LPs correctly? Or just go back to CDs again??
Or only listen to instrumental music like classical and jazz LPs? Why my system almost never mistracks on classical or jazz no matter how complex the music get or how big the climax is...but it so easily slips on female vocal's sibilance!!
Please help. I want to hear from all of you who has any experience on this stuff. Thnks again.
Dougdecon: I'll try your method to see if it helps.
And just a "little" more info on what i have experienced:
The reason why i want to use a test record isnt because i want torture my setup or anything..believe me, i want to spend time listen to music than doing that. The thing is that i need a guideline, a startpoint in order to choose the right anti-skating for my turntable-arm-cartridge setup. Given that different cartridge's stylus profiles, different types of vinyl require different amount of anti-skating force, i think that using a real-life playing condition (test record) to set anti-skating might be better/more correctly than the general, theoretical method which set anti-skating force relatively to just tracking force.
Others have suggested that dirty or damaged records might be the cause of the sibilance pulling to one channel (beside wrong Anti-skating). I already took this into account, but the records i have problem with are NEW, and i also tried to chean them using VPI record cleaning machine and various cleaning fluid brands. It just help the records play quieter with less groove noise without improving the sibilance issue.
I checked cartridge alignment numorous times using Feikert tractor, Wally tractor, and also manufacturer supplied aligment tools..and the alignment is spot on..i dont think it can get any better than that. In some cases, the cartridges tracks the test records slightly better but it still DOES NOT improve much on that sibilance.
(Combos that were set up for me by experienced dealer personel results in the same problem.)
Some suggested that with the sibilance pulling to the left channel indicates too much anti-skating. I tried reducing anti-sakting force until the right channel is at the edge of mistracking and it still doesnt improve !
Arm-cartridge incompatible? I just got an SME20/2 with SME IV.Vi running a Lyra Helikon as suggested by most people here and over at Audiogon..and still there is the same problem on those so-called "Audiophile " discs !!! Also tried that combo with that Blackbird, Koetsu Urushi..the result is more or less similar.
Why do the LPs from the 60s-70s-and even 80s dont exhibit or rarely exhibit this problem while so many of the current "audiophile" discs nowadays do?? Those of those older LPs might not sound as good of their current sibblings but they also do not have these weakness. Many other aspects of music-reproducing of these new LPs are very satisfactory like soundstaging, imaging, bass, mid, hi freg, 3d stereo image..etc...EXCEPT female vocal's sibilance. It sounds SO UNATURAL when the image of the singer is so vivid, 3d infront of you and her sibilance is like 7, 8 feet away from where her mouth is. I found that the percussive aspect of sound-reproduction is the key of localization the sound source; and the percussive aspect of human being's singing is the sibilance or consonant. If a system cannot reproduce this correctly then it is no good.
Table level? It is like impossible to level a turntable spot on..even with tight-precision like the SME..i used different bubble level with different sizes, shapes and the reading is different at different place on the turntable. even when the suspended subchasis might be level, then the plater is not..vice-versa...so i just tried to level the chasis, then subchasis relatively so that i get a level reading on the platter at the plane of playing (the plane where the stylus reads the groove). If you have any better method of leveling turntables, I'd LOVE to hear from you.
I will try the zerostat as suggested, not sure how much it will help but i will try..dont wanna rule out any possibility.
Uneven Sibilance due to room acoustic ? standing wave? early reflection? I have the CD or SACD of the same content as the LPs and play them on my Ayre universal C-5xe without any sibilance problem. Many cds/sacds have very strong sibilance but it even on 2 channels and stay where the singer's mouth is...so that possibility is safely ruled out.
So..what else can i try now? Or I have to settle with the fact that this is a prominant limitation of Vinyl playback using pivoted tonearms, and i will have to spend much more money on tables with linear tracking arms with fussy, noisy airpump to play these audiophile LPs correctly? Or just go back to CDs again??
Or only listen to instrumental music like classical and jazz LPs? Why my system almost never mistracks on classical or jazz no matter how complex the music get or how big the climax is...but it so easily slips on female vocal's sibilance!!
Please help. I want to hear from all of you who has any experience on this stuff. Thnks again.