Merrill Audio ELEMENT 118 on Tour


As some of you know I had to deal with a serious family medical issue which has been miraculously cured. So the new ELEMENT amplifiers are getting out to all those asking about them and the few lucky ones that have purchased them.

The ELEMENT 118 and ELEMENT 116 will be going out to reviewers and on tour to various audiophiles and dealers. So more will be showing up. I will provide a short trail and welcome questions and comments, all in good spirit.

After years of research and using OEMS, we have a proprietary design that we believe is an order of magnitude improvement over the previous amps and also sets a standard across all the classes of amps in terms on sonics. Of course taking a listen and doing a comparison is the best way to confirm this.

The new design is an open loop, zero feedback, and zero deadtime, using the Gallium Nitride Transistors - which unlike other transistors have close to zero capacitance and hence allow very fast switching. Additionally the PCB and layout is a highly advanced layout that reduces the parasitic capacitance and inductance to near zero, allow close to zero overshoot and ring, and of course the zero deadtime. The open loop, zero feedback, zero deadtime allows a spacious and precision stage with long detailed decays, very fast attack without the parasitics causing other distortions. The first 10 seconds impresses the listener with a musical tone, that is open, wide and fast. The rest is musical immersion.

I will post the systems as they are run through as best I can. Enjoy and I hope you get to listen to the ELEMENT Series of Power Amplifiers near you.
merrillaudio

Showing 5 responses by tweak1

Bill.

Thanks for the link.  My local B & N no longer sells Hi-Fi+. Alas, the Merrill is not anywhere close to my budget, but it seems to be the current (npi) future of amplifiers. What will Putzy counter with? I think I read where he's totally rethinking it

Ric seems to suggest that the only basic difference is ~ $100 for GaNs. Im guessing there is way more to it than that
bill_k711

wow.

Thanks for sending me deep into yet another rabbit hole lol

Here's a few snippets from around the world on the 60 grand euro SPEC, their 100w is a mere $5999, neither the wpc nor the price work for me

2019   ‘Amplifiers SPECa compared to my reference system, i.e., preamplifier Ayon Audio Spheris III and power amplifier Soulution 710. I also used my notes and memories of the other tests, the range-topping amps:Kondo OnGaku, Phasemation MA-1000, AudioPax Maggiore l50 + m50and Thöress Dual Function Preamplifier + 845 Mono’.

Become however together with You, in front of a special challenge – that a company known for still of high quality, expensive amplifiers produced amp cost more, model RPA-MG1000 – this is one of the most expensive amplifiers on the market. It cost 60 000 euros device regular power amplifier, but in practice is an integral amplifier. We'll come back to that.

Importantly, besides the price, is that the amplifiers are SPECIAL working in class D. In the materials that I received in may 2013 during the exhibition the High End, it's the first time I met with the owners of Shirokazu Yazaki you and Tsutomu Banno – present chief engineer of the company – we find an eloquent picture, which shows the progres from tube amplifiers, known as "generation" 1.", through classic amps of the semiconductor, i.e. "generation 2.", to the new amplifiers in class D, which is 3. generation of amplifiers in General.

And we are not talking at all about what the Lord Yazaki-San and Banno-San does not like lamps, all exactly the opposite-they are the experts on lamps develop wonderful amplifiers of this type. It is just that I see the benefits that new technology brings. So they can be used for making any of this made sense to approach the project the right way and choose the right methods. For them, the key to achieving top-end sound from semiconductors is their work in class D.

In the tested amplifier was both types of capacitors. And this is because the SPEC gives the user a choice of sound character. For the first time this possibility was introduced in przedwzmacniaczu gramofonowym REQ-S1EX in 2013, but here taken to extremes. On a separate Board, after the filter in the output, we have two groups of capacitors and resistors. One of them is called "musicality", and the second "neutrality". This is not EQ color because it does not change the sensitivity characteristics (measurement frequency characteristics for both systems are identical) and changed the layoutthe character of the sound. Between these two modes selectable with a small switch on the rear panel.If for a moment to discard prejudices – because of bad amplifiers in class D is a lot – and we will focus on the basics, it may be easier to understand what it's wrote in the part dedicated to odsłuchom.

  http://highfidelity.pl/@main-3464&lang=


WOW. This is the way all reviewers should write, but not many have the access to such relative kit
ricevs, et al,

I too am a believer that all cables sound best when off the floor.

Years ago I demonstrated this in a friends system (all top BAT, CEC spinner with MSB dac AND several exotic TTs with multiple arms, and $5K+ cartridges). His speakers were custom frame Acoustat 4+4s with 2 servo amps per side: the offending cables were very long interconnects laying across thick carpet. The improvement was significant, better speed, better high frequencies, better everything

Recently I bought a set of cool looking speaker cable risers from an AGon seller and showed them to my friend David Salz (WireWorld). He chuckled and said they aren’t necessary when the cables are correctly designed. Well, since my speaker cables (and ICs) are WW. I removed them and noticed zero benefit. $50 down the drain.

All my components are resting on Machina Dynamic springs, which provide huge vibration isolation benefits for peanut money
My definition of cool- neutral- warm is based on several factors, like whether the singer, hollow body guitar, cymbals, piano keys/board... sound natural

Some systems get the leading edge of the pluck, but lack the resonance inside the hollow body guitar, or vice versa

or get the strike of the cymbal but lack the shimmer or warm sound of the brass, or vice versa

or with a singer where the voice is all head and no chest,  or vice versa

or the piano where you hear the keys but not the board or the sound/size of the body,  or vice versa

Do not discount the contribution of vibration control which seems to be an afterthought in many systems