I don't have any experience with the Sabrinas nor with the specific components mentioned in the previous post but my takeaway from hearing difficult speakers driven with low powered SET amps/integrateds is the outcome depends on the musical content, loudness of the music and the size/shape of the listening room. Vocals, solo instrumentals, and small ensembles sound magnificent at moderate listening levels particularly in a near field arrangement. Complex content with a lot of musical transients, including lower octaves, sounded strained and wooly at higher listening levels. In the ideal world, one would've separate systems for different types/genres of content but that is not always possible. On paper, I would have expected putting a Ref6 in front of a Master Classic2 would be the best of both worlds.
McIntosh Guy Going Tubes? (Maybe?)
Need some thoughts, comments, advice: present system (mainly McIntosh): Wilson Sabrina’s, MC601 monos, C52 pre, MEN220 room cor, MB50 streamer, MCD80 spinner, PSAudio P10 regenerator. My thoughts are to go analog/tubes via MC275 MKVI monos with C2600 pre(and undefined TT). Pros - Cons?
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- 28 posts total
- 28 posts total