Magico A3 vs. Joseph Audio Perspective vs. Spendor D9


Hi All,

I have been doing some research over the past while and am currently in the midst of a search for my next floorstanding speaker that costs around ~$10k. My other thread that I posted in this forum gave me a lot to consider. Rather than post there, I figured a most focused thread would be a good idea. Now, I have distilled my choices to these 3 choices... I think.

Power: I will be powering the speakers with a SET amp (48W per channel).
Sources: Most of my sources are digital (Roon/Tidal). I mostly listen to jazz, classical and female vocals. I would appreciate a speaker that provides that good, snappy bass where I don't need a subwoofer.
Room: Large room (will be in the living room that opens up to the kitchen and then the dining room). Aesthetics do matter here.

I have received a ton of help through the forums already during my search and have now narrowed down my speaker choices to (in no particular order):

  • Magico A3 - No issues driving these speakers with my amp. Tested and they sounded wonderful. Very analytical and super clear details. Tight bass as well but maybe more weighted in the clarity/details than warmth, even with my tube amp.
  • Joseph Audio Perspective - No dealers in WA or OR so no way to test these but have heard wonderful things about these speakers. Sounds like imaging/sound stage is a strong suit along with clarity. I wonder how bass performance is though as these have smaller woofers compared to my other choices.
  • Spendor D9 - Have not heard these speakers yet but am trying to find a local dealer that has them in stock.
Another one that I am still thinking about is the Daedalus Argos but I would like to hear some feedback on the top 3 at this time.

Thanks!
freesole

Showing 2 responses by skyscraper

Freesole, congrats on your purchase of the Spendor D9’s. They were high on my short list to audition before I purchased my Magico A3’s recently.

Unfortunately, I couldn’t get their USA distributor to provide me any location to audition the D9's closer than a eighteen hour drive from Roanoke, Virginia. They did have a distributor with the D7’s in Baltimore, which I considered going to, but in the end decided against taking a chance on the D9’s without actually hearing them. Similar issue with auditioning the the Joseph Audio Perspectives prof likes, their closest dealer being no nearer than somewhere in Pennsylvania.

I’ll be very interested in reading your impression of the Spendor D9’s once you have them set up, and how they compare to the Magico A3’s you listened to.

Also if you feel they have a warmer sound that the A3’s could you explain what that means to you. The concept of warmth is lost on me. I’ve been many live performances and concerts and none of them had any sound I’d describe or understand as being warm, so I don’t understand what that means in terms of sound reproduction. Maybe I’m just dense. I’ve listened to a few very expensive speakers like some $35,000 Focals, that maybe were warm sounding, if I understood what that quality was. I just thought they didn’t have enough clarity. Maybe I’m warm deaf, because I just don’t hear it.

To use an analogy, what I do hear is the difference between looking at a crystal clear aquarium, and actual snorkeling and swimming with fish in clear Carribbean waters. To use an audio analogy, maybe analog music is warmer than digital. I don’t know, but I need a reference of some sort to make the concept understandable.

Maybe the Devore, Focal, Vandersteen and other speakers I listened to were warmer than the Magico’s, (I have no idea) but all I could hear was their being more like a beautiful aquarium than the Magicos, which removed some indescribable clear glass barrier. That’s one of the man reasons I liked the Magico A3’s so much. I still would of loved to audition the D9’s and Perspectives though. Maybe they would have revealed to me what musical warmth is.

Mike
Prof and freesole, thanks for taking your time to provide your thorough explanation of what "warmth" means. I understand better what that frequently mentioned expression means now.

Next time I’m up in Pennsylvania I’ll try and check out those Joseph Audio Perspectives, and if I visit family up on Long Island, there must be a dealer somewhere around NYC who has the Spendor D9’s to listen to. That will solidify my understanding of both your explanations, and provide a contrast with Magico A3’s sound.

I’ve read where some individuals have paired the Magico’s with tube amps to achieve a warmer sound. I heard them demoed with a couple of mono- blocks which I can’t recall the names of, not the Hegels they had on hand. They had a full rich sound I would have never thought to have described as over-indexed or overly analytical (another term I honestly don’t quite understand the use of either) or I might have been put off by them. I’m hoping the Luxman 507 MkII will approach the mono-blocks sound.

Shkong, I have looked at Mark of Silnote’s site previously. That’s a good suggestion to revisit it as he’s local, and to give him a call. I’ve read equally convincing opinions on various cables being the greatest thing since white bread, to their being nothing more than a hoax. If he could provide some loaners I could figure it out in a heartbeat. Thanks for the reminder of this local resource.

Mike