Madman! Digital vs Vinyl


Anyone out there who has a great vinyl setup and a great digital setup, try this!

Bring up Elton John’s Tumbleweed Connection Deluxe Edition on Qubuz for digital which includes Madman Across the Water and play it.

 

Then pull out your vinyl of Madman Across the Water and play it.  
 

Please tell me which sounds better on your system and what you have for TT, cartridge and phono preamp.

 

 I won’t bias the results by telling you what I think.

 

 Thanks 

dougthebiker

Showing 2 responses by whart

I have 4 or 5 non-US pressings of Tumbleweed that are early, including a couple UK DJMs and some other early ex-US DJM pressings. The earliest UK pressing I have here actually has less pronounced bass than some of the others. (Sorry don't have the matrices to hand). I do have an SACD of it too, which sounds fine for what it is, but I'm far more advanced on vinyl playback than I am on digital. I had Qobuz for a little while but found that it didn't have what I was chasing-- stuff that is unobtaninum on vinyl, hard to find, private or small label. It did sound pretty good for what it was, though. (Don't remember if I tried Tumbleweed via Qobuz when I was using it). 

I think a lot depends on system. 

@ghdprentice - it’s a question of availability. Black Ice on ECM (Wolfert Brederode) is only available on redbook CD, no vinyl, though I rely on vinyl for a lot of obscure records that were never reissued legitimately, let alone on digital formats. Thus, I do digital of necessity, though if someone were starting out today, I would not recommend vinyl unless they have deep pockets; not just to get what the format is truly capable of, but the cost of some of these records is absolutely prohibitive.

To me, the key is whatever gives you more access to high quality music. The compositions, performances and recordings themselves can be scrutinized on each level. But the listener may choose "blow me away" as a show piece rather than something more off the beaten path. It’s a pretty personal choice. Not everything is digitized, let alone at high quality. Ironically, the best performance of The Cream remains a "bootleg."

I listen to obscure jazz that is borderline cacophony and for the most part obscure. That stuff can be found sometimes on digital (in CD, not necessarily on streaming facilities) but it is largely needle drops (some of the early CD reissues were pulled from tape; as to streaming I have no idea- my experience, limited to Qobuz, was that it was shallow in catalog depth). The original discs, made during the ’70s, are not the best representation of the vinyl art, but they actually sound good if you get a clean copy, though this stuff has gotten tres cher in the last couple years.

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