I do believe that you have to consider more than just gain. I tried a Lyra Cleo’s SL with a heron phono stage with I believe 74DB of gain which on paper should be more than enough. However going straight into the phono it sounded a bit polite and bland but once I ran it through an SUT into the phono it totally came alive!
I think in that instance it’s more about impedance matching.
I think in that instance it’s more about impedance matching.