Lyra Kleos arrives after eight months. . Worth the wait? First impressions


About nine months ago I posted some threads on Audiogon to get advice concerning upgrading the Ortofon Black 2M, moving magnet cartridge on my VPI Classic 2 turntable. You all ended up convincied me to not only to upgrade my cartridge, but to upgrade a VPI JMW unipivot tonearm to a VPI gimballed Fatboy tonearm. And after carefully considering all your recommendations, plus doing a lot of research, a Lyra Kleos moving coil cartridge was chosen and ordered.

The VPI Fatboy, ordered about March 1, arrived right away. However the new Lyra cartrdge took a full eight months to arrive from that same date. Apparently there is only one person in Japan with a single assistant making every Lyra cartridge. Picture this poor soul working day and night, chained to the floor in a small basement room with only his assistant Igor to help.

The Lyra Kleos cartridge is now happily and professionally installed on the Fatboy. It has maybe ten or so hours on it at this point. Most noticeable so so far is a better defined bass response. Elements of the sound stage also seem to be more clealy defined. Paticularly on better recorded albums, you can hear everything more clearly, as well as hear things that were simply lost in the mix before. For instance on a Sade record I distinctly heard a background singer singling softly along with her which had never been apparent before. Every sound seems better realized in more detail and depth especially on better recorded albums. On more poorly recorded content, not so much.

All in all I’m happy with the results so far. It took about three hours of break in before the cartridge began to open up. My first clue on how well this cart could perform was listening to a Jaco Pastorius bass run on a nicely recorded Joni Mitchell album. That was exciting. Some older Mies Davis and Charles Mingus sounded great too. On some other material like Mike Bloomfields Live at the Fillmore West the sound wan’t much improved over the Ortofon 2M cart. My ECM records all sounded more well defined so far.

What has been your experience with a Lyra cartridge if you have one? Have you been pleased with yours. At about how many hours did yours peak out. I’ve read their performance peaks at anywhere from 20 to 100 hourswhich is quite a range. What’s your experience? If you knew yours would take eight months to arrive would you have gone another route?

Mike

 

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Showing 3 responses by fsonicsmith

I have the Etna. See my profile (if you like). With my Reed 3P arm which comes with it's own wire from clips to RCA's and a Manley Steelhead I prefer the 50 ohm setting over 100 or 200. It seems the autoformers in the Steelhead do some unique things compared to more common phono circuit designs. So the fact that 50 ohms works best in my system means little or nothing for others with different cabling and a different phono stage. Don't ignore gain! The Steelhead offers 50, 55, 60, and 65. On paper 60 ought be optimum IIRC but I much prefer 55. The difference is subtle but to my ears with my gear the higher gain setting results in just a bit of stridency and glare that disappears at 55. With my ancillary gear obtaining sufficient volume is not an issue at any gain setting and I remain at the lower third of volume range with my ARC Ref 6 irrespective of gain setting. 

As to SQ, my other deck, My Thorens TD124 with another Reed 3P has a VdH Crimson XGW Stradivarius mounted. Both go into the Steelhead (I love having three phono inputs on my Steelhead!) and by pure coincidence I prefer the same gain and loading with both. I go back and forth as to which I prefer. The Lyra Etna is supreme with the very best pressings but at the cost of being ever so slightly analytical compared to the VdH. The VdH is slightly fleshier, not as lightning quick and lacks the extremely tight bass of the Lyra but the music flows in a slightly more pleasing fashion. The VdH is a chameleon as I can never predict if a particular record will sound amazing or just good, whereas the Lyra is a bit more even-handed with well pressed records. Both are equally finicky as to set-up-when things are perfect you know it. 

Fsonicsmith I wish I’d have the same capabilitites on my Luxman integrated amp’s phono stage to make the adjustments you have tried. For better or worse those settings are fixed for either a mm or mc cartridge on my integrated amp, but that’s it.. There are no adjustments possible. Truthfully I hardly know what most of these or other specs mean anyway. I think I correctly figured out prior to purchase the 100 ohm impedance spec preset for a mc cartridge significantly limited my choice of cartridges. Glad you’re in a better situation.

Mike

Mike, I am the proud owner of a Luxman P-750u headphone amp. I can tell you from first-hand experience that Luxman's product support is way beyond. So perhaps you could reach out to Jeff Sigmund at Luxman USA and ask for a deal on a Luxman phono stage. You have invested good coin in your Lyra. Perhaps an easy modification of your integrated amp would do the job if you were to hypothetically stick to the Lyra Kleos for the indefinite future. Luxman's resident wiz in the USA is Steven at 

The Service Department
30 Unquowa Hill Street
Bridgeport, CT 06604
(203) 331-0671

 

So I know my post is potentially confusing but you could add a dedicated new phono stage with far greater adjustment and great build and sound for the sake of being future-proof or you could send your integrated into Steven with the input of Jeff Sigmund to optimize your integrated for your Lyra Kleos.

Actually Luzmans' top phono stage has very little ability to change the cartridge loading. If he was to invest in a phono stage he would be better off with a different brand - there are many posts on this forum on the lack of adjustability with the Luxman phono.

If it was me, I'd look at the possibility of increasing the input impedance on his integrated amp moving coil to 470k which should work fine with the Kleos.

The EQ-500 has continuously variable loading from the front panel of 30k to 100k Ohms which encompasses what the vast majority of MC cartridges need. I am sorry to tell you this but the vast majority of MC cartridges are happiest at 50-300k Ohms and not 47K. 47K serves MM and step-up transformers. To your other point I do agree that there is no need to be wedded to Luxman. But Luxman does make very well engineered and great sounding gear with amazing product support.