Luxman E-250 or Sutherland 20/20, or something else?


Moving on from my C48 preamp which had a very capable MC/MM phono section. In the $2,500 +- category narrowed it down to the Luxman and Sutherland 20/20. Didn’t know anything about either till I started researching. The Luxman has some cool design features and more flexibility than the Sutherland, IMO. I’m intrigued by their step up transformer for LO MC carts, which I have (Cadenza Black). Filter switches could be nice to have. The mono function seems intriguing but do I need it if I use a mono cart? However, very little user feedback online about this product. 

The Sutherland obviously has a solid reputation with Stereophile and Absolute Sound recommendations. Also, lots of user feedback that generally provide favorable reviews. Not too fond of having two wall warts for the base model so would probably have to spend the extra for the line power supply, so that puts the 20/20 about $400 more than the Luxman. Is the extra money worth it for the 20/20 over the Lux? Has any one tried either of these? Any other recommendations in this price range? Thanks in advance for your comments/questions. 
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Showing 3 responses by photon46

From my experience with the Sutherland 20/20, which was quite underwhelming, I'd opt for the Luxman (although I've not tried that model myself.) That said, there are so many different combinations of equipment in an analog phono setup there's no universal experience with any given bit of kit. Obviously, lot's of people like the 20/20, but it was dull sounding and lacking in energy in my setup. If you're buying new equipment, hopefully you could find a dealer with a trial policy. 
I'd also mention that it might be worth a call to Mehran at Sorasound and see if he has a demo deal on a RCM Sensor Prelude. He often has unadvertised items for a good price. That phono stage is under the radar but the reviews you can find online give an accurate description of its performance in my experience. Mehran is a very nice dealer to work with. 
The RCM has worked extremely well with my Ortofon Kontrapunkt H and Transfiguration Axia S, which have slightly more output than the Cadenza Black (.4 mv vs. .33.) In particular, the combination of RCM and Kontrapunkt is very engaging, full bodied, and lively.