Looking for thoughts on Sonus Faber speakers


Looking for a smooth natural midrange and high end...particularly regarding the human voice.  I enjoy detail...but don't like an analytical sound.  I think most tweeters today are fatiguing.   I enjoy the overall presentation of Harbeths...but want more low end.  I have had one audition of the Sonetto V's and was impressed...but what else might I consider?  

 

Greg S.

gsieg

Showing 3 responses by ghdprentice

It sounds like Sonus Faber are the perfect fit for you. Once I turned from being infatuated with planar speakers for over thirty years and wanted more realistic, balanced speakers I got SF. First, Cremona, then Olympica 3, and now Amati Traditional. I can't speak too highly of them. 
 

I agree with @soundwatts try and find a set of used Olympica 3. Their performance will be up another level.

 

On the other hand, I had purchased the Cremona as experiment... which was very short lived. Nearly as soon as I had them in my house I knew Sonus Faber was what I was looking for and I immediately ordered the Olympica 3... of which the first shipment was on a ship steaming towards th US at that time. So if you buy from a dealer like me, he will apply all the cost of the first pair towards an upgrade for a year or so. Couple be a good gateway. Each level in SF nets significant sound quality improvement.

 

 

 

I think the KEF / SF comparison is important. A bit of forward treble comes off as more detailed... but it has a cost on realism. Real music (acoustic) has all the detail as presented by SF, but not the bit of extra forwardness. It is the naturalness of the SF that allows you to fall into the music instead of being held at a distance.

 

 

@jjss49

 

Yes. In the beginning for me, I remembered amplified concerts and "good stereos" in college early ’70s). These had me recreating some shrill and often overly detailed sound. While great, it optimized one genera over all others (I was on an electronic kick for a long time). It wasn’t until I started going to the symphony a couple time a month and acoustical jazz that I realized I was chasing trizzle and overly highlighted details. This changed my course to Audio Research and Sonus Faber... all music types have gotten better with each step.

 

When young, enthusiasm and effort propelled me, but in retrospect, experience trumps it. My systems now sound many times better than they ever have.

 

Sonus Faber, old or new has the sound of real music with the appropriate components. While old, I think, helped make up for common solid state shortcomings, the new play well with good quality components of either camp.