Looking for the "better sub"


I have Magnepan 1.6/QRs and would like a sub sometime soon to fill in the low end.
Subs suggested to me have been as follows...

Vandersteen 2wQ....problem with this sub for me is most agree I need two from the start for my 25X15 room.
JL Fathom 113....I would have ordered one, but no high level inputs turns a great sub into a home theater product in my eyes. They blew it.
Martin Logan Depth....still a frontrunner. Quick and musical. And one works well enough to get started.
REL....Still looking into these.

So I guess I'm looking at a budget of about 2K...a bit more or less. Anything else I should be looking into beyond the above? Please comment if you've heard the models above, which (except for the Fathom) are well known for working nicely with Magnepan panels.

Thanks!

R
robbob
Used Alon Thunderbolt.

http://iar-80.com/page60.html
Scroll down to review.
Shadorne..."I am not sure that something linear is a good thing with panels".....you kidding right?

BTW...I have panels, and a pair of very large subwoofers. I also have a pair of smaller subwoofers...I'll place my bet on larger any day.

Dave
I will throw in a vote for a pre-owned Martin Logan Descent, the reason I say pre-owned, the new I Descent is not as good as the previous Descent model, leaps and bounds better than the Depth that you are considering as well.
>> "JL Fathom 113....I would have ordered one, but no high level inputs turns a great sub into a home theater product in my eyes. They blew it." <<

Really?....I don't understand how you have come to that conclusion about subwoofers?>>>

I tried high level inputs vs. low level on three subs and there is no doubt at all that high level is superior for two channel audio. This is not possible with the Fathom, no matter how good of a sub it is.

R.
One thing you might consider in a two-channel context is that a subwoofer that's "flat" anechoic will have a rising response due to room gain. Typical room gain is +3dB per octave from 100 Hz down to about 20 Hz. In my experience, a subwoofer whose anechoic output falls by 3 dB per octave over that range is less likely to sound boomy.

http://www.speakerbuilding.com/content/1020/rge.gif

Also, there's a correlation between in-room bass smoothness and the number of low frequency sources spead around the room. A dipole can be thought of as two monopoles, one with reversed polarity. So two dipoles would be expected to have in-room bass smoothness comparable to that of four monopoles. People who have compared one sub vs two subs pretty much invariably prefer two subs because it sounds more natural. Imho to blend well with dipoles, four subs are called for. I spent years experimenting with different types of subwoofers (sealed, isobarik, transmission line, dipole, aperiodic, etc) to find what would match the "speed" of a dipole. Then in a conversation, a physicist friend of mine described to me the advantages of multiple low frequency sources, and so I tried that and it worked better than all the esoteric designs I'd been trying. So if the goal is quality rather than quantity, my suggestion would be multiple smaller subs rather than a single ubersub.

Duke
dealer/manufacturer