Linn Components


Ok guys a little honesty will go a long way. I’m just wondering why Linn Gear in general is not well regarded, known or liked by many. I myself love the Linn sound, which in my opinion is more true to the music than most of my friends systems. I am not going to mention names of components as all of us have different tastes. I’m tired of having to explain why I have chosen Linn.

Ross
rossq
I really like Linn gear, too, and have had the Majik, the Karik and the Sekrits, which are fabulous little speakers. What I don't like is that Linn USA won't deal directly with customers on service issues; you have to go through a dealer. Kind of a pain for a used-equipment buyer. Linn's reliability ameliorates that issue, but my Karik did have a problem, and I had to go through my Linn dealer and get a little lecture on buying used equipment.
I just read this thread and I feel that I have to mention what happened to my Linn Movie Classik.

One night while the system was on standby mode, the screen went dark. The only sign of life was a blinking light on the back inditcating that it was "trasnsmitting"! otherwise nothing.

I took it to a Linn dealer and they sent it off for repair. Two and a half month later I got it back working and had to pay $237 for the reapir. I had it for 3 years and it was not under warrantee.

Linn in Florida was not able to fix it and they sent to Scoltand, they were not able to fix it either and had to replace the main board.

Just a data point in this discussion.
I love Linn gear. I should never have sold my system last year. I will be back again.

My experience is that Linn doesn't have that audiophile sound where you hear every naunce of air and irrelevant detail. Instead the music develops. There is all the detail present without focusing on the exteranious information. The music comes forth. If you are into showing of your chrome high performance engine, fine...but if you want a sleeper street racer that blows away the competition get Linn.

Mike
"My experience is that Linn doesn't have that audiophile sound where you hear every naunce of air and irrelevant detail. Instead the music develops. There is all the detail present without focusing on the exteranious information. The music comes forth."

This is a nice comment and I think there is a lot of truth in it. My Ikemi, for instance, does not provide all the detail I heard in an Esoteric DV-50 I brought home to try. But the extra detail in the Esoteric did not add up to a better, more coherent musical message. Perhaps it was just because I was accustomed to the Ikemi, but I found it more involving and more musical.