I'll take a stab. You only need one phono stage, either the one built into the Fisher, which is probably strictly for high output MM cartridges, or your Lehman. Either of those could be run into the Symphonic Line 3. It's probable that the Fisher does not have quite enough phono gain for the Benz Glider, however, but there is no harm in trying. OR you could run the Glider into the Lehman and hence the Lehman into the high level input of the Fisher, and use the latter as your linestage, Assuming you intend to use the amplifier section of the Fisher to drive your speakers, which you have not stipulated, I would personally choose to use the Lehman/Fisher and eliminate the Symphonic, if only to minimize the number of different pieces of gear and ICs in the signal path. You can have lots of fun sorting his all out yourself, but less is usually more in audio.
Lehman Black Cube or Fisher 500C?
I've decided to resurrect my analog rig which consists of a Sota Saphire Deluxe series 3 TT; Premier FT-3 tonearm and Benz Glider moving coil cartridge. I believe the Benz, which is an early version, is probably a medium output... I used to run this all into an original Lehman Black cube phono stage,(Not with the extra large/optional power supply) which would feed into my Sonic Frontiers Line 3. I recently picked up a Fisher 500c receiver which is getting a complete makeover at the moment (all restored to stock) and I was wondering if the phono stage on it would add some much needed warmth . If so, how would I do it exactly? Could the Lehman feed the Fisher and then to the Line 3 or should I just run into the Fisher and then the Line 3? I'm open for suggestions. Sorry it sounds so elementary but its been a long time since analog for me.
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