Not all RC RIAA phono pre's place a large value resistor in series with the signal. I have a fully differential phono pre designed by Kevin Carter of K&K Audio that does not. The large value resistors (and caps for that matter) are all shunt connected, not series. In its first incarnation this was not the case. This will get a little technical here but bear with me. The input stage consists of a pair of vacuum tube/JFET (now MOSFET) cascodes. In the original design the tubes had plate loads and the plates were direct coupled though 33K resistors to the grids of the driver tube (the series connection). With a later redesign the plate load resistors were replaced with Constant Current Sources (cascoded MOSFETs). This required changing the 33K resistors from a series connection to a shunt connection (from the plate to ground) leaving just a 10 Ohm grid stopper in the signal path.
What does all this mean for the sonics? A way more dynamic sound, macro and micro. A much better sense of touch. It brings closer the sense of real music being plaid by real musicians. I heard this change with everything else in my system the same. So I can say without reservation that removing that large series resistor makes for a big difference.
BTW, Kevin's latest generation of his single ended parallel feed phono pre the Maxed Out uses this same arrangement. You don't have to opt for a LCR design to reap these benefits.
What does all this mean for the sonics? A way more dynamic sound, macro and micro. A much better sense of touch. It brings closer the sense of real music being plaid by real musicians. I heard this change with everything else in my system the same. So I can say without reservation that removing that large series resistor makes for a big difference.
BTW, Kevin's latest generation of his single ended parallel feed phono pre the Maxed Out uses this same arrangement. You don't have to opt for a LCR design to reap these benefits.