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Krell versus Pass Labs

I have been a a Krell loyal fan for years and years. Recently I upgraded through several speakers to finally settle on the Apogee Diva Ultimate made by Rich Murry in NV. I've also owned the Caliper Ultimate but this new version of the Diva with all ribbon drivers and no transformers is simply amazing. Last weekend I listened to a recently rebuilt version of the Apogee full Range, one step up from mine and these are honestly probably the finest speakers on the planet and I've heard and owned a lot of others over the years, B&W, MBL and so on. One thing about these speakers is that they are completely full range they go past the human hearing on both ends easily. The other thing is that they are incredibly fast and ruthlessly revealing, I mean take no prisoners, it's all here like it or not.

I liked the sound with my Krell Cast system but I have also heard these speaker on other equipment and amps and was amazed how good they can be but my system was not there yet for some reason? Maybe it was just system matching? A friend recently loaned me a Pass X150.5 to try out so I plugged it into my Krell KCT with balanced hook-up. WOW, the high end edginess was gone, the tone quality was much better and more even from top to bottom, the pitch definition is impeccable! Day 2, now with it more warmed up the sound stage opened up a lot and it sounds so incredibly musical! I was stunned how good this little amp is, dynamically it is a champ and does not seem to care how hard you push it, it just sounds effortless regardless of how loud I'm pushing it. A friend who's ears I trust said the 150.5 and the 600.5 are the among the best he has heard with the Apogee's, I didn't think the 150.5 would have enough power but was I wrong. Where have I been why didn't I hear this sooner? I've heard Pass amps before and always liked them but this is in a different class all together than my Krell's.

I think in the end I'm going for the 600.5's and possibly a Audio Research Ref 5 SE? Talk about bang for the buck, the X150.5 is up there in that "cost no object class". Some like the class A amps better for their systems but for the Diva Ultimate I think the X150.5 is amazing. Listening to complex music at a level that is starting to get uncomfortable the meter will swing to about the 3/4 mark with plenty left in reserve, I never heard it compress or strain at all, not even a hint! I can think of several giant expensive amps that could not keep up with this little amp, it's articulation is so precise and effortless. For example to me it can better MBL and Krell mono's and I have been a loyal krell fan for 20+ years!

Rob
rminsf

Showing 3 responses by rminsf

rminsf OP
53 posts
 
So here's my current situation. I have the KCT which is in mint almost new condition and I do have 2 FPB750MCX amps but one is in need of repair and I have the rare transparent CAST interconnect cables from the source to preamp and to the amps. The thing is my FPB200C just never worked with the Apogee's like it did with other speakers? The sound was almost too tight really if that's possible? The Apogee's are extremely fast already and the drivers are lighter than the air they are moving so the massive control the Krell had was almost overkill with this speaker to my ears.

With the pass amp the treble is smoother the midrange is more natural and the bass is much more evenly extended. So heres the deal, do I fix and sell the FPB750MCX amps and replace them with X600.5, selling my ultra rare CAST cables too. I do love the sound of the AR 5SE but I am worried about the match like you said? I'll be using a dac8 and PH7 too with them.

These Apogee's are just a different deal, I have not heard the FPB750MCX with them yet but I have a bad feeling about the match-up given the experience with the FPB200C. One thing I did notice recently was on some high sustained notes like a power soprano the amp meter on the X150.5 will swing far to the right showing a very high current draw into those high notes. The FPB200C never compressed on me but I have owned these amps for so long now I know it was working pretty hard driving the Apogee's, too hot to touch.

Not to go on and on about them but the Apogees are a little different like I said before, the bass is very full and insanely articulate, I don't even know how low it really goes but they can generate a temporary nausea at times so I'm guess like 10 hertz or something? The midrange and treble are effortless. I have heard them sound so damn real before, goosebumps all over real, and that's what I'm looking for. The AR 5SE and Magnus 300 is a stunning combo, the only way to describe the Magnus sound is REAL and completely unrestrained but I have my concerns about the Magnus and Id like MONO amps, at least in my experience I always get the best sound-stage that way. I'm not surprised by the power you stated Dne for the X150.5 it really is a little power house of an amp.

Rob
rminsf OP
53 posts
 
I'm curious to hear how the ARC250's handle the Diva's? Mine draw a lot of power in the top end, I had to use the X150.5 for a while before I correlated what was going on. The sound of the Magnus is very impressive and real sounding, I have no fault with the sound at all, emotionally real sounding.

I hooked up the Krells again to my PS Audio P-1200 to see more of what was going on, while listening to Adele (vinyl) the amp was drawing in excess of 1400 watts during her whaling. Rich told me the Diva's need more power than the full range and he as usual, is right on. I think the X150.5 was maxing out although it didn't sound like it during the same songs, the needle did bury itself during those same passages. I think it's impossible to beat the ARC Ref 5 SE right now as preamps go and on these speakers you can hear everything as naked as it can be.

Rich is also recommending I fix the FPB750MCX amps and try them but I'm kind of formulating an opinion now, maybe prematurely? I want to try the Pass X600.5 mono's with the ARC Ref 5 SE, Rich did have this combo with the ARC Ref3 and said it was stunning.

You are going to love the Diva's, they do cause other issues because they sound so neutral and nakedly transparent but once broken in they are the most amazing speaker I have ever heard in my life next to the full range. I don't feel like I'm missing anything, anywhere. Mine are 5ft from the rear wall which sounds the best to me. If you have never had one of Rich's speakers in your house before it will be a shock at first, once they break in they are just jaw dropping amazing, I don't think there is a cone woofer on the planet that can produce limitless sub-bass that way?

I know the Pass X350.5 is pretty damn good. Once you get the preamp and amp combo figured then it's sources and cables. Like I said they are so transparent you can just throw any previous experience out the door, kinda jealous you are starting out with a X350.5 already, that's got to be sweet. I'm running a ARC PH7 (Updated) for my Phono preamp, you might have seen it at Rich's house I left it there for a couple months and just got it back a week ago.

Rob
rminsf OP
53 posts
 
I have been a loyal Krell owner for 20+ years. I currently own a FPB200c, FPB 750 MCX (2) and Krell KCT with Transparent CAST cables. I'm not sure about spending more on Krell and so far with these speakers I'm not finding a lot of synergy? I'm also not a fan of the XA 160.5 amps, the pass class A amps just don't have the sound I'm looking for with these speakers however the class A/AB amps like the X600.5 sound a lot better. With Krell now trying to get out of servicing older equipment and kicking Dan out I wonder where all that is going? The ARC service seems to be first class. I have always owned Krell, I have not heard the newest stuff with my speakers so I'm not really sure how good they really are but they also seem far more expensive than ARC or Pass? I sure would like to try them but kind of skeptical too.

Rob
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