Krell versus Levinson experience


As posted some time ago, its is difficult to get to have A-B comparisons between amplifiers in Europe, because dealers don´t like to provide home loans. I managed however to spend a whole morning comparing a Krell 200 FPBc, which was my initial first choice and a Levinson 335. Speakers were Martin Logan Prodigy, the front end was a Krell KAV 300CD(non cast) and cable was Transparent. I was astonished as how large the difference bteween the two was. The Levisnon sounded (i) much more controlled in the low and mid bass, (ii) similar in resolution but with a much more relaxed delivery , (iii) with wider soundstage. It may have been the Martin Logans and interconnects, but I had always thought that Krell FPBs matched Martin Logans quite nicely. Just tought I would metion it here as this was a most unexpected result (at least for me)
fchurtic

Showing 1 response by pamlavignedc06

before you rowland/pass guys dismiss levinson take a listen to the levinson #33 monoblocks. unless you have listened to these you can't know what levinson's can sound like.

having owned a levinson #332, #33h monos, and now the #33 monos i do understand that the "sound" of the medium range levinsons can be too "analytical" for some tastes. with the #33 monoblocks you get all the speed, resolution and transparency of the other levinsons and more; way deeper bass, harmonically rich and toneally correct midrange, and basically unlimited power in real world terms.

i haven't heard every amp out there but they are the best i have heard. what is really amazing is how similar to the smoothness and bloom of single ended triods they are.

i am not knocking pass or rowland here; in fact i like their sound and could happily live with either. i have not had any great krell experiences but i have not heard their latest stuff. but, the levinson #33 monoblocks do it all while retaining the intimacy and delicacy i only expect from the better tube amps.

if you can listen to these amps; they are really special IMHO.

happy listening.

mike lavigne