Koetsu Rosewood Vs Rosewood Signature Vs HANA UMAMI RED advice please


I ended up buying an Acoustic Signature Typhoon, with a 11" Kuzma 4Point. Now the question is which cartridge I get.
I have a Hana E and M in my current VPI and really like them, but I looking forward to test something else. I like detail without much in your face(?), soundstage and some hint of warmth. 

I saved $4K for a cartridge and I am getting 25% off on any cartridge I want, and do not need to spend the $4k.

I am open to other brands, except Sound Smith which I had in my Bergmann Galder and did not like at all.

My system for the Typhoon is composed of
Tannoy Kensington
Pathos Heritage, or Primaluna 300
Manley Labs Steelhead 
all powered with a PS powerplant.
Thank you
astolfor

Showing 3 responses by mulveling

Those 3 all seem like great choices. And you have a great system. I used to own Kensington - now Canterbury - and Koetsu cartridges get along *exceptionally* well with them both!
@astolfor
Yes, Koetsus are a bit harrowing to align because of the big boxy body, and they tend to ride fairly low - overhang positioning is OK but it's a little challenging to see enough of the cantilever to align it. Usually the cantilever will be well matched to the outer body edges, if you want to "trust" that (ignore the gold metal cover plate, which is often cut slightly off-center). I use a SMARTractor and yeah - sometimes I just give up and use the body as the cantilever reference. I had a Mint LP which was the best I've ever used for precise alignment, but broke it a few years ago :( 

To be quite honest if you use a Simple GeoDisc to adjust overhang and align the Koetsu body to the grid, 9 times out of 10 it will be 99% as good as a painstaking session from the SMARTractor or whatever. I've never had a Koetsu sound "off" from the GeoDisc, yet. 
Koetsu can be too warm or dark in some systems, but with op’s Tannoy Kensington, they help keep the horn tweeters in check. Then, the fabulous midranges of these 2 transducers make magic together.