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Kl Audio LP200 ultrasonic record cleaner insights

I did a bit of research a few months ago on the Audio Desk ultrasonic cleaner and thats where I found out about the KL Audio CLN LP200unit. I was attracted to the much more powerful motor, no rollers to replace and using distilled water rather than a cleaner.

Let me start that I have a Loricraft and used the Walker 4 step program but shortened it to a clean\rinse setup. Still ten undivided minutes of your time a side to clean. After a while I didnt bother with mint or new records.

Table Galibier Gavia, Triplanar Arm, Zyx Universe cartridge

I have quckly and efficiently cleaned more records in 3 weeks than I have for the three years I have had the Loricraft. And it was hardly an inconvienance, not a major chore

I have cleaned a number of Walker\Loricraft records again with the KL Audio. The results are jaw dropping. Dead quiet, no static pops (sometimes dont even zerostat). The biggest issue is resolution, getting down and removing that last bit of material and the resolution, body, separation of instruments, timing, passion and air around the notes is enhanced. Modest pressing sound like audiophile. I have ran into a few noisy records, probably dug out by the last stylus but most everything else has been so overwhelming. Low level detail is to die for.

The machine is a tank. Everything impeccably manufacturered. You can set the ultrasonic to 1-5 minutes and the drying 2-4 minutes I spit out a record every 5 minutes while I watch tv from the next room. It drys very effectively but isnt that loud

This machine is not cheap at $4k but what it does is like a very serious component upgrade. Highly recommended for someone with a serious vinyl collection and setup
128x128audiotomb
audiotomb's avatar
audiotomb OP
1,112 posts
 
Thanks for sharing the Myles review

I will add 2 minutes to my ultrasonic cleaning, maybe cut the drying short and clean it out a little more frequntly

The KL Audio is a real godsend

My already dynamic experience is so refined and dynamic
syntax's avatar
syntax
2,193 posts
 
Cool results with Klaudio on a Vibration Platform & Powercord with Oyaide Plugs

Klaudio RCM
jtsamarinda
13 posts
 
I had a number of different RCM started with VPI 17.5, Loricraft, Keith monk, Audio Desk, Amari RW-600 (Chinese copy of the Audio Desk). The most reliable RCM on the list the VPI 17.5, Loricraft, Keith Monk.Of these I place the Loricraft and Keith Monk as the cleanest in doing it's job.
As for the Audio Desk is the most unreliable machine on the planet I have had to send it back 6 times to the manufacture and every time he sends me a new machine, till the point it was costing me for shipment, that I sold it off, hear good things about it as reliable but most of these people are to proud to admit that their RCM have been giving problems either the earlier models serial number or the latest so call up grade had lots of problem. Same goes for the Amari RW-600 which I had 2 problems in a span of 6mths. That I ask for a replacement Amari RW-800 as a simple ultra sonic machine.
Oh! and one point I like to make is the Audio Desk and Amari RW-600 are not true Ultra sonic machine I have not found a transducer in any of the models. No ultra Sonic amplifiers, as compared to the KL Audio and the RW-800. I have ordered the KL Audio will be in next week. So will see how reliable their machines are.
audiotomb's avatar
audiotomb OP
1,112 posts
 

my friend has an Audiodesk

he and I had talked about ultrasonics in passing

I went and did some research and bought a KLaudio

he comes to me to let me know he bought an Audio Desk

I told him about the Klaudio I had just bought -

he has had multiple problems and a number of records that come out not fully dry


the Klaudio is built like a tank

has more adjustments including dry only and much higher power


it's been two years for me and the Klaudio is wonderful

it really brings out low level detail and removes surface noise


enjoy

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