I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
pjwI have a ton of Lee konitz music. if you like Duo recordings konitz has saxophone piano Duo with Martial Solal called star eyes Hamburg 1983 It has six standards and three Originals on the disc. another good more recent set is a 2 CD disc with konitz as the leader its called European Episode- Impressive Rome it's a quartet with xlent European musicians.
Thanks frogman and Schubert for the recommendations. I have "Motion" on the wat along with the Konitz/Marsh recording (I liked the songs I heard on that one).
I'm giving the other suggestions a listen right now as I'm writing this.
Pyramid is definitely a change from his 50's - 60's output. I like Conner's guitar playing too.
Storyville swings hard.
ordered this morning:
Storyville, Subconscious - Lee, Live At The Half Note
pjw, I like Schubert’s Lee Konitz recs. “Motion” is great and a nobrainer. Another favorite is the one I posted a couple of days ago “At Storyville”. For something different and interesting one if you like a Third-Stream vibe is “An Image” featuring Konitz with string section. For something later in his career I like “Alone Together” with a Brad Mehldau and Charlie Haden.
Great Turrentine selection Schubert. Big Stanley Turrentine fan myself. I have that disc with the song "Shirley." The albums called "Mr. Natural" and was recorded in 1964 but not releases until 1980.
So I searched high and low for my first Lee Konitz albums and I listened to some samples on a couple I really liked and purchased them.
Elvin Jones plays drums on "Motion" while Lee with Warne Marsh features Kenny Clarke on drums. The rest of the players on both albums are no slouches either!
Is there a man alive than can not be shaken to the deepest body of his eternal soul by this Masterpiece played by Stanley and his Lady Shirley "Queen of the Organ’ Scott. If so he got a hole in that soul . sohttps://youtu.be/DmIgSO6nDKkng I !
81563 , you should wait for frogperson , he forgot more than I know . That said , with my limited Knowledge , they are 3 I would feel OK referring to anyone . "Motion" he and Elvin Jones are great together , "Standards Live : At the Village Vanguard ""Subconcious" His best with Tristano and Marsch- Classic
Along with Stitt my favorite on Vinyl is Stanley Turpentine .This is a love song he wrote for his wife . Total ALL -STAR group , with Ray Barretto on conga’s ,Lee Morgan,trumpet, McTyner on piano, Elvin Jones , drum, Bob Cranshaw, . bass and Rudy Van Gelder on recording machine .
IMO , this is about as good as jazz gets .https://youtu.be/0hdUPzW-CnAHard bop rules the rest is for fools , not really but it rhymes .
frogman and Schubert I must admit, ashamedly so, that I have not one disc in my collection with Lee Konitz on it. I plan on listening to him a bit more and decide whether to buy some of his recordings as a leader or sideman. Any suggestions?
Lee is from the same old school era that started in the late 30's early 40's as Art Pepper and Sonny Stitt. My Pepper inventory is approaching 50 discs and my Stitt inventory is approaching 30. Anyway the sound of the alto from Pepper and Stitt I really enjoy. Both could swing hard, play exceptional ballads, play bebop while still making the music sound grounded in harmony and rythm, and really excelled on blues. Both did this seemingly effortlessly and both, IMHO, never get the credit they deserve from music critics.
I also like Phil Woods which you were discussing upthread and have around 30 discs with him as a leader.
btw, Sonny Stitt could also play the tenor and baritone beautifully.
In current USA nobody could imagine a show like that .I remember some in the 50's , too busy soldiering. Only thing I really remember from TV was Andre Previn , I disremember what show .
. Andre , who could never be called small minded , said " I've done my best to be open-minded about rock but there is nothing there, pure garbage " .
Very “appropriate” clip. One of Bird’s signature tunes (well, both he and Diz claimed to have penned it). Konitz is one of the few major players who was able to resist the powerful influence of Bird. He sounds little like Bird.
Another Tristano protege was the tenor player Warren Marsh. Just like Konitz/Parker he was able to remain untouched by the Coltrane tsunami. I have always found his tone to be a little “difficult”, but he sure was an interesting player.
Indeed frogman. I thought a while as to whether or not I should use a clip with Lee , they blended so beautifully ! But I decided to concentrate on walking base so all would get that , including me .
Wonderful Tristano clip. Amazing player and one the most interesting and unusual jazz voices. That walking bass line in the left hand is incredible. Very different and unique harmonic concept and general approach to jazz that some critics considered “cold”. Funny, how the concept of “studying and learning” jazz concepts is derided by some self-proclaimed purists when so many of the giants, as you point out, went to Tristano (the first to teach Jazz concepts) to expand their knowledge of harmony and improvisation as a necessary step to take their own playing to the next level.
One of Tristano’s disciples. I find that one has to leave behind a lot of our preconceived notions of what Jazz is “supposed” to be like in order to “get” playing like this. The connection to Tristano’s approach is more than obvious:
alex a few years ago after I purchased the Jimmy McGriff album "Giants Of The Organ In Concert" I liked it so much I bought 3 more McGriff albums including "The Worm"
Anyway I liked O'Donel's playing so I searched and bought the following disc which is pretty darn good, IMHO
O'Donel Levy does have some recordings with him as a leader but I don't have any of them. The LP cover of his "Everything I Do Gonna Be Funky " release is quite revealing.
Well fellows its silly to say without hearing them live ,but, both are masters and while I suspect McGriff is a better overall player , I don’t hear him swinging like Holmes .
Great album in any event , sidemen are outstanding .
I saw both Groove Holmes and Jimmy McGriff live, but not together,in the 60's. Until you hear giants like them live, you ain't heard nothing.
Organ is the one instrument that the recorded media can not reproduce, the dynamic range and the frequency, go to such extremes live, that recorded media can not reproduce it; consequently, your imagination has to take over, but it does a good job.
I didn't realize how much I was hooked on this tune until I heard these two versions; if somebody paid me to pick one, I would have to decline; they're both awesome.
I saw this really beautiful girl, and I don't recall the circumstances, but I saw her more than once; no, I never even met her, but she made such an impression on me that I had a dream about her in which "Misty" was playing throughout the dream; as a matter of fact, it was the most dominant factor in the dream. It was such a beautiful dream that when I woke up, I tried to go back to sleep and continue the dream. This was before I was even 21, so that was a long time ago, but I never forgot the dream or "Misty".
While I'm haunted by "Misty", I hardly ever think of Erroll Garner.
This song was crystal clear in my dream, and it never stopped playing; the girl resembled the one on the cover of that album. Or the cover of this album;
The music is beautiful, but neither one of these cuts is clear.
Today, I would like to bring attention to Erroll Garner; he is an artist that I don't feel that I have paid enough attention to. Let's try "Ready Take One", an album with a slightly different perspective of Erroll;
I doubt if I could pick out Berg , but he is my idea of an ideal jazz artist . Straight ahead , improvising but not seeing how loud he can play , saying what he has to say without making a contest out of it , serving the music and the guys he’s playing with . In short, no B.S .It must be very difficult to play so coherently so long on a wind instrument with nowhere to hide , Berg is a master of that .
I had no idea who the soloist was , don’t know enough to pick up disciples .Knew it was a saxophone though and he made it talk .
Bet more than a few ladies wanted to sing it to Dexter back in the day .Almost as handsome as us . Glad to hear you were not a Mariel kid , thank God .
Beautiful! Thanks. Great choice of tenor player given that it’s on an album “...Remembering John Coltrane”. I have never heard a better solo by the great Bob Berg, one of the best Coltrane disciples. He died tragically in a car accident only months after that was recorded.
frog , I erased that one after I thought you might think it was about YOUR boat ride . The one above now is specific for you and IMO is the best version of that great standard .Minnesotans don’t affect . For all she is playing the piano as well . P.S . If there was a 10 favorite Jazz great poll Toots would be on mine !
Gorgeous. I have never heard a non-native sing in Portuguese in such a convincing way. Amazing pitch. I have always loved Allyson’s singing and absence of affectation. Thanks for that!
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