I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Paul Chambers Quartet -- BASS ON TOP with / Kenny Burrell, Hank Jones, and Art Taylor
Obviously one of the best ever Jazz Bassist, but I keep waiting for the Trumpets / Saxophones to come in. Conditioning. Still, If Chambers can't sell the bass as lead instrument, then no one can.
Jon Hendricks and Friends -- FREDDIE FREELOADER Some of the friends: George Benson, Al Jarreau, Turrentine, Wynton, McFerrin, Al Grey, the Count Basie Orchestra,.........
I am not familiar with the musician playing the Fender Rhodes on the Di Meola live links at Leverkusen above. He’s not bad but I’m sure Al would rather have had Rubalcaba. (although this guy is no Rubalbaba he's pretty good).
**** Are you saying that technique and phrasing, trumps the voice ****
Precisely. I might take “technique” out of that sentence. What I believe she is saying and I agree completely is that to an artist on that level, “singing” (or playing) is more about the delivery; the phrasing, the color, the emotion. She takes far more chances with all of those in the later versions of the songs. On the earlier ones, along with a voice that had far fewer warts, the delivery is much more straight forward hence less interesting.
**** Within reason of course, ****
Again, precisely. The technique can deteriorate to the point that the artist can not execute and deliver the message. I don’t think her voice ever got to that point. Perfect technique can’t make up for lack of artistry, but great technique AND artistry is something special. Her artistry kept growing even when the technique declined. The greater the artistry, the more that technique can be sacrificed. She was awesome; always “compelling”.
I just received this box set, 3 CD, Billie Holiday -- THE ULTIMATE COLLECTION. Good sound quality and good selections, but, no ’Fine and Mellow’.
In the notes, in response to the critics, that said her lifestyle had harmed her voice, Ms Holiday said: "Anybody who knows anything about singing says I’m for sure singing better than I ever have in my life. If you don’t think so, just listen to some of my old sides like "Lover come Back" and "Yesterdays", and then listen to the same tunes as i have recorded them in recent years."
Loved the “Guantanamera” clip. Thanks for that. In case anyone doesn’t know it, there is an interesting story behind what is probably the most popular Cuban song. The melody was composed by a popular radio show host back in the 40s (30s?) who would set the news of the day to the tune. The song as usually known and as heard on Rok’s clip took off in popularity when verses from a poem by Jose Marti were set to the tune. Jose Marti was a Cuban poet and renowned author in Latin American literature who became a national hero as possibly the foremost leader of Cuba’s fight for independence from Spain. Just one of many wonderful Jose Marti quotes and applicable to the subject of this thread:
rok , my idea of real soldiery marching was those Black Watch troops.Never had much use for toy soldiers like those German "Wack(Alert)bataillons .
First time I came back from Berlin I was assigned to "Old Guard " 3rdInf. in DC . Went to CO and asked to be sent elsewhere . He said , fine , if you don’t want to be here we don’t want you. In a month I was in 11th Air Assault at Benning . Perhaps only unit in Army you didn’t have to be in .
Your boys on parade. They come from the largest Battalion in the German Army. Some companies active, some not. All stationed in Berlin. I guess they do this very, very often.
Wow, that Walking blues featuring Keb’ Mo’ is excellent! Video too. Imo, whoever made it, did the good job. Keb’ Mo’ is awesome, the other guy Chris does not fit my picture, being too expressive. I always thought that blues should sound simple, earthy and kind of raw...well at least the blues that I imagine in my head...
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