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It's All in Your Head

I commented in an earlier thread that the emphasis on components, cables and room treatments obscures the fact that the music all happens in your head.

This is from John Atkinson at RMAF 2012 reported on Stereophile:

"Stereophile editor John Atkinson used everything from a drumstick to a cowbell, both sounded “live” and played back on the seminar room’s stereo system, to convey the message: “Nothing is real. How the recording art affects what you think you hear!” As John proceeded to point out that the brain combines information from separate left and right loudspeakers into a single stereo image..."

"I showed that it is a fallacy to assume that “the absolute sound of live music in a real acoustic space” resides in the bits, pits, or grooves, even when such a live event existed. Making recordings is an art, not a science and there may only be a coincidental resemblance between what is presented to the listener and the sound of musicians playing live, even when all concerned with making the recording were trying to be as honest as possible. Even the fundamental decision of what microphone to use moves the recorded sound a long way from reality..."

What we aim for when we put an audio system together is a pleasing facsimile of the original musical performance that happened in a studio or at a live venue. But, ultimately, the music's all in your head. It sounds like it's in the room because that's the way our brain makes it seem. Music is essentially a spiritual experience mediated by the brain.
Systems that are not in the "best" category may reproduce music in a way that moves us but the "best" systems have the ability to involve us on even deeper emotional and spiritual levels.

Getting really close to the essence of the performance means we need "special" gear. That's what "gear chasing" is all about -- trying to get closer to the essence of the performance on deeper and more satisfying levels. "Gear chasing" that involves trying to reproduce the actual performance is an illusory pursuit. Many audiophiles have observed that the "best" systems are not necessarily the most expensive ones. This has also been my experience. But it will still take quite a bit of cash to put together a system that enters the realm of the "best".

All of the above is IMO, of course.
sabai

Showing 1 response by bryoncunningham

bryoncunningham
893 posts
 
10-21-12: Sabai
The brain reconstructs what appears to be happening "out there" in the room. The musical events are actually happening "in here" -- between our two ears. Music appreciation is actually an inner event that we perceive as an outer event.
You are a philosopher at heart, Sabai.

You may already be aware of this, but the distinction you are drawing between what is "out there" and what is "in here" has been a subject of controversy among philosophers since ancient Greece. In the parlance of modern philosophy, it's the distinction between Realism and Idealism. Roughly put, it's the difference between things that are features of *the world* and things that are features of *the mind.*

The distinction between Realism and Idealism defines a great many debates in the history of both philosophy and science, including debates about categories, logic, mathematics, properties like color, and morality.

By standard philosophical conventions, you are an Idealist with respect to music. I agree with you up to a point, which is to say, I believe that SOME musical phenomena are in the mind. But I also believe that some musical phenomena are in the world.

It's an interesting question, IMO.

Bryon
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