Is Your System Better Than the Music You Like?


I've recently come to the conclusion that the capabilities of my audio system exceeds the quality of my typical recordings. It's making me rethink any ideas I had involving future upgrades. Just wondering if anyone else has reached this point?

I have what most people would consider a very high quality system, but by no means is it a SOTA setup. The system is made up of components by JRDG, REL, Martin-Logan, MSB, Sony, TACT, RPM, Discovery, PS Audio and Benz. I have a decent room and while I won't say I'm obsessive about it, I've paid a reasonable amount of attention to setup issues. The overall sound quality is quite good. Still there's always room for upgrades. I could upgrade the DAC to a Plus, switch the subwoofer cables, add an Arcici stand, maybe go with an outboard tube phono preamp, etc. I could easily put another $10,000 into the system in worthwhile improvements without fundamentally changing the character or capabilities of the system.

Musically, I'm a basic old-school rocker. Anything from 50s New Orlean R&B, Motown, 60s psychedelia, 70s punk & funk to 80s rap. The 90s are less well represented, but there are smatterings. I'm a big Chicago style electric blues fans. I'm also a big classic jazz fan. I go for Ellington big-big-time, Billie Hoilday, Louis, 50s Blue Note and Miles. There's some classical as well as a couple of country artists (you can't go wrong with Dwight).

I have any number of audiophile quality pressings and recordings, but the majority of my music, particularly my favorite recordings, are down and dirty with no pretensions towards audiophilia. The 30s jazz that I so love is noisy, bandwidth limited and mono. The Chess blues recordings have a very nice aliveness to them, but they're mainly mono and without much deep bass. Most 60s to 70s rock is sonically undistinguished (obviously there are exceptions) and is more mid-fi than hi-fi. Rap is purposely lo-fi. Current recordings are extremely dynamically limited. My point is that you don't need a $150,000 system in a custom built room to properly reproduce these types of music. You still need a good system capable of low distortion, wide bandwidth, sharp imaging and all the other audiophile traits, but it doesn't have to be outrageously complex nor all that expensive.

I probably will continue to make relatively minor upgrades, but I can't imagine making any major changes. Maybe I'm no longer an audiophile and I've slipped down in the world of mid-fi, if so, I'd at least like to think that it's a quality mid-fi.
onhwy61

Showing 1 response by kchahoc

I don't know if the premise that a hi-fi system will make most music sound bad is exactly true. I used to think that too, until I really searched around and put together a system that plays good recordings very well, and yet makes even bad recordings enjoyable. Funny thing is yesterday I came across an old review by Mr. Atkinson of Stereophile reviewing the Mark Levinson ?29 preamp and #20 amplifier. He discussed the differences between "neutrality" and "musicality" and how most of the time the two do not go together. However, and I've come to this conclusion too, that a system that is musical will be neutral and vice versa. Some things will play better that others, but a well balanced system will make music of all software.
So don't give up. Imagine the future just like my Musical Fidelity amplifier surpasses a $10,000 amp of only a few years ago, and digital is getting better and cheaper day by day. It was not untill SACD that I ever heard a LP lover comment on the sound of digital playback. And if you are still worried have your dealer come out a have a listen on your system, often they might be able to hear what is wrong, or even another experienced audiophile. It worked for me.
Keith