Is Wally tool preffered for Graham 2.2?


I have a pal who asked me to post this question.I mentioned to him that I had heard that the Wally tools are superb,and that some have stated it was better than the supplied Graham stuff,for setting up the arm.I know some of you guys to be real "mavens" when it comes to the finer points of things analog(that's a compliment),so told him I'd go to the "source",and report back.

Also,I have heard it's tough to get in touch with Wally,and some dealers I know have had no success.How does one get the necessary Wally stuff?Also,do you feel there is a "real benefit" to using that stuff,over the supplied Graham set-up stuff?Thanks fellas!!

Best!
sirspeedy70680e509

Showing 2 responses by nrenter

I got tired of trying to figure out which protractor was best and decided to make my own using Microsoft Visio and John Elison's downloadable Excel spreadsheet for calculating horizontal tracking error and distortion.

I created a printable triangle-shaped template that fits over the spindle and extends all the way to the pivot point of the tonearm. The removes the guesswork of "sighting" the template to the pivot point (and shortens setup time greatly).

Once the pivot-to-spindle distance is set and the template is fixed to the platter, I have two points defined at 66 mm and 120.9 mm from the spindle and 240 mm from the tonearm pivot point (I use a OL Silver arm). The marks at the null points facilitate alignment by the cantilever (not the body).

I'm sure there are better processes, but it always annoyed me that I was relying on someone else's process without fulling understanging their "voodoo". My "voodoo" is freely available upon request and cab be modified for any tonearm. Print this out on good quality photo paper and you're good-to-go.
This is why I've not bought into the WallyTractor as an alignment progress. While I have not used it, it appears to be excellent at describing the solution, but not very good at defining the process to arrive at that solution - you're still doing the stylus hokey-pokey.

If you do get the stylus to follow the WallyTractor arc from Point 0 to Point 1....guess what? You've got your P-to-S distance correct and your overhang (effective length) correct. However, you're manipulating multiple variables simultaneously, and this can cause one to gouge out one's own eyes in frustration. Yes, you can perfect your alignment this way, but in all reality, this particular aspect of alignment is simple 2-dimentional geometry and doesn't have to be that frustrating or time consuming.

Also, for the WallyTractor to facilitate an efficient setup, as stated above, the pivot to spindle distance must be within + or - 0.5mm of the pivot to spindle distance inscribed on the WallyTractor. For tables that have a variable-distance mounting hole for the tonearm (like my Teres) that margin or error is pretty tight. If you screw up the P-to-S, you could be playing the hokey-pokey all night (instead of spinnin' vinyl).

Here's my process (using my template).

1. Level the table.

2. Attach tonearm to base. Cut out templates using a razor blade and a straight edge. Fix platter to base using tape.

3. Make sure the head shell is level (when measured perpendicular to the tonearm).

4. Set the pivot-to-spindle distance using the supplied Baerwald Protractor template. The tip of the template should exactly center over the small hole where the tonearm wires come through on the base of the tonearm (specific to an Origin Live Silver tonearm).

The thickness or placement of the tonearm wires may make this impossible. If this is the case, shear off the tip of the protractor. This should compensate for the wires and facilitate accurate alignment. Fix template to platter using tape.

5. Mount the cartridge and preliminarily set the Vertical Tracking Force (VTF). It is recommended to initially set the VTF in the top third of the recommended range. However, at this stage, precision is not critical as VTF will be fine-tuned later in the process. Set the anti-skate mechanism to 0.

6. Set effective length using the template (at point #1).

7. Set offset angle (at points #1 and #2). You may have to *slightly* rotate the cartridge so when looking at the cantilever straight-on the lines at 66 mm and 120.9 mm “run right up into the suspension tube.”

Note that it is the alignment of the cantilever that matters – not the cartridge body (that’s why there is only a single line to guide this setup). A Baerwald-aligned cartridge will be nearly (but *not* exactly) square to the head shell on a Rega style arm.

8. Set Stylus Rake Angle (SRA). As a baseline, set the SRA 1-degree forward (top away from the tonearm pivot). Use the SRA Protractor template as a guide.

9. Repeat steps 6 – 8 until no additional adjustments are necessary to satisfy all 3 steps.

Yes, this process is pretty generic, but it's easier to follow and understand than many I've seen (and tried). If I would print out my template on a mirrored piece of plastic, it would make it an even more powerful tool. Feel free to tell me where I've gone awry.