Pass gets mentioned a lot in discussions like this.
2 gain stages simple enough for 'ya? I've read thru his DIY stuff and many amps are simple 'scale ups' of a basic design. More output devices in parallel with minimal matching. Increased PS size / capacity / output heatsinking.
The Pass amps, at least the 'a' amps, avoid certain distortions (crossover) by using a different, highbias design than a/b. His 30x2 'a' amp has something like 20 output device pairs per channel.
I think more important, perhaps, or at least on the table, is degree and type (global or stage-2-stage) levels of feedback. Amps with multiple gain stages can suffer here.
Clipping distortion is awful and enough power should be provided to avoid it.
Personally, I have one of the large 'd' amps of 250x2@8 which doubles up into my panels. I doubt I've ever got the amp past half that on peaks....and 1/10th that in rms.
2 gain stages simple enough for 'ya? I've read thru his DIY stuff and many amps are simple 'scale ups' of a basic design. More output devices in parallel with minimal matching. Increased PS size / capacity / output heatsinking.
The Pass amps, at least the 'a' amps, avoid certain distortions (crossover) by using a different, highbias design than a/b. His 30x2 'a' amp has something like 20 output device pairs per channel.
I think more important, perhaps, or at least on the table, is degree and type (global or stage-2-stage) levels of feedback. Amps with multiple gain stages can suffer here.
Clipping distortion is awful and enough power should be provided to avoid it.
Personally, I have one of the large 'd' amps of 250x2@8 which doubles up into my panels. I doubt I've ever got the amp past half that on peaks....and 1/10th that in rms.