Is it all worth it?


Do you ever get the feeling when you start to question whether playing records is really worth it all?
You know with everything involved with great record playback.
The setup, the cleaning regime, the $1000 plus cartridges that start their finite lifespan as soon as stylus first touches vinyl and spirals into less and less value with every play.
All the tweaks involved, cables, mats, isolation etc.
Then the media itself with it's inevitable disapointments.

Don't you just like to push a couple buttons on your phone app and be listening to great sound with a worldwide catalogue at your fingertips.

Or is it that when all of it lines up and the sounds are just sublime, then yes you sit back with a wry smile and say...

Yep, it's all worth it!
uberwaltz

Showing 2 responses by fleschler

The Townsend Seismic Sink is also essential for many turntables as well as transports/DACs.  My VPI TNT VI sounded no better than my VPI 19-4 until I placed it on an HDF platform under the TNT resting on a Townsend Sink .  Now it's high end.   

I HATE setting up a new cartridge.  First it has to break-in for 50 hours.  My SME IV arm has a spring mounted VTA and no SRA adjustment (use tiny shim to correct).  This is the worst part of preparing to play an LP.  However, my arm is not VTA critical once set.  It sounds about as good on 120g as 180g records.  

To Mozartfan-Nope, I have at least 7,500 LPs which have not and probably never will be in the digital stream or CD realm (1,000 ethnic LPs for sure).   However, I generally prefer listening to my Living Stereo and Living Presence classical music on greatly remastered CDs.  Again, unfortunately, those that were pop are generally unavailable in the digital realm.

I listen to either CD or LP format about equally.  I've become lazy and only listen to my 78s about 5% to 7% of the time.  I used to transfer them to cassette and for 15 years to CD.  That really makes it convenient to hear 10" 78s.  
@geoffkaitt The Townsend Seismic Sink is NOT an historical notable for a museum. It is among the most impressive anti-vibration devices I’ve tried. Sure, you probably think all of my Stillpoints and use of a buckwheat pillow for two pieces of equipment are also antiquated. You don’t even listen to speakers so how do you know so much about air-borne vibration control (let alone equipment induced vibration-you don’t listen to records either)? My shot&sand filled solid steel stands are probably antiquated also. You’re such a know-it-all.