Is imaging reality?


I’m thrilled that I finally reached the point in my quest where instruments are spread across my listening field like a virtual “thousand points of light.”  I would never want to go back to the dark ages of mediocre imaging, But as a former classical musician, the thought occurs to me, is this what I hear at a concert, even sitting in the first row?  What we’re hearing is the perspective of where the microphones are placed, generally right on top of the musicians.  So close that directionality is very perceptible, unlike what we hear in the hall. The quality of our systems accurately reproduces this perspective wonderfully. 
But is it this as it is in the real world?
rvpiano

Showing 5 responses by rvpiano

In my post, I should  have mentioned that I’m mainly talking about the reproduction of an orchestra in a concert hall.
As I’ve said, I derive much pleasure from hearing an orchestra broken up into its component parts with imaging, even if it isn’t what is heard in a hall.  I imagining it’s exactly what the conductor hears, being right in the midst of the group and dead center.  I can synthesize the components into a unified whole, although I can see where some find this difficult or annoying.
 A recording is an artifact in itself. It exists independent of the performers. The many hands (or ears) involved to produce it create a reality all it’s own.  In multi-miking an orchestra (and other genres as well) the sound engineer creates the imaging he or she likes.
A great performance can be ruined by poor production. And, as has been pointed out here, a mediocre performance can be appreciated for the sound of the artifact itself.
 Alternately, we can greatly enjoy historic recordings with terrible sound quality because the genius of the artist shines through.
Also, as has been pointed out, playback systems vary widely as to character and quality to add to the perception of reality.