Is a vinyl rig only worth it for oldies?


I have always been curious about vinyl and its touted superiority over digital, so I decided to try it for myself. Over the course of the past several years I bought a few turntables, phono stages, and a bunch of new albums. They sounded fine I thought, but didn't stomp all over digital like some would tend to believe.

It wasn't until I popped on some old disk that I picked up used from a garage sale somewhere that I heard what vinyl was really about: it was the smoothest, most organic, and 3d sound that ever came out of my speakers. I had never heard anything quite like it. All of the digital I had, no matter how high the resolution, did not really come close to approaching that type of sound.

Out of the handful of albums I have from the 70s-80s, most of them have this type of sound. Problem is, most of my music and preferences are new releases (not necessarily in an audiophile genre) or stuff from the past decade and these albums sounded like music from a CD player but with the added noise, pops, clicks, higher price, and inconveniences inherent with vinyl. Of all the new albums I bought recently, only two sounded like they were mastered in the analog domain.

It seems that almost anything released after the 2000's (except audiophile reissues) sounded like music from a CD player of some sort, only worse due to the added noise making the CD version superior. I have experienced this on a variety of turntables, and this was even true in a friend's setup with a high end TT/cart.

So my question is, is vinyl only good for older pre-80s music when mastering was still analog and not all digital?
solman989

Showing 2 responses by solman989

The noise that I was talking about is a part of the medium itself and not due to improperly cleaned vinyl. Depending on the album, it can sound like mistracking or clicks. For example I have compared two copies of the same albums and the noise was present in both at the same spots so I know it is not a cleaning issue. Don't get me wrong, I can overlook it but when I am listening to an album that is basically a hi-res file run through a studio's DAC and then cut onto a LP, well lets just say that's what SACD is for.
There is a large variation in consistency of the mediums. When I buy a CD, I can more or less expect to know what it is going to sound like when I pop it in. Sure, there is both good and bad quality recordings, but really the limiting factor for the most part is the CD medium itself and not the mastering.

On the other hand, vinyl is merely -capable- of achieving great sound. The consistency of the audio quality of vinyl ranges from worse-than-CD to mind blowing. Only problem is, when I plop down $25+ for new LP, I have no idea where
on the scale it will be. So as opposed to CD, the limiting factor of vinyl is the mastering quality and NOT the medium (surface noise can be minimized or overlooked).

It has been my experience so far that older pressings lean toward the "mind-blowing" end, while most newer releases fall to the worse-than-cd side and this is perhaps the most frustrating thing about purchasing new vinyl.