Interconnect for sweet, silky violin sound

Though at times there are other "issues" that arise with some cables that bump the emphasis just a bit from the midrange downward, in many cases, that bump adds a more spacious, slightly dark emphasis that I find satisfying. It tends to give a mid/lower mid/upper bass emphasis that for me imparts an easier, more relaxing and more musical presentation when I hear violins, violas and cellos. I like too what is does for the double basses. This may not all be what some consider neutral or totally accurate, but that doesn't really matter to me. Many of us accept the reality that everything has colorations anyway---concert halls,electronics equipment at the recording site and in the living room and showroom, and even open spaces outside of rooms and halls. Humidity, wind, air temperature all having impact on the sound. And of course there's the influence of what different ears on different heads hear. I really don't care to re-iterate what components I have, since I'm not sure by knowing that others might necessarily better be able to determine what might suit my taste. It would be a rarity indeed if anyone had the same exact constellation of components I do. I just wanted to get a few recommendations "off the cuff" from some of you, and from those who have responded so far,my sincere thanks .

Hi Neutron...Kind thanks for your nice comments. I'm certainly with you on the equilateral triangle arrangement. Have stuck with that for a very long time. It has always seemed to work optimally for me. Haven't checked up on the 83% matter, but I have experimented with distances from my speakers(Dunlavy SC-4s)and have the chair where I feel I'm getting my best possible sound projection, imaging/soundstaging and spectral balance. Here's to good listening for the both of us---and, of course,others too.

And that's no joke...

Thank you all very much for your cable suggestions. As some of you may have read elsewhere on this site, I have settled on the KCI Silkworm+ interconnect. To my ears and in my system it interacts to provide a marvelously nuanced and wonderfully musical presentation. If you haven't experienced it in your setup, I feel(as I'm sure others do who have been smitten by it)that it is more than well worth a listen. In addition, I think you'll find John Prator, its creator, to be one of the most pleasant fellows you could want to deal with.

Snopro...Though I haven't auditioned these, I've been reading AGon thread comments about them, and also the Jade Hybrid. For those who are following this thread,aside from what I mentioned in my lead in remarks,I seek a sound that is not sharp edged and avoids the exaggerated brilliance of so-called hi-fi-ishness. Like Guidocorona above I listen almost exclusively to orchestral and chamber music, and in addition, lean toward a dense,weighty,airy sound while retaining as much top end extension as possible. Of course, it's not a particularly easy balancing act to have the dense and powerful while simultaneously getting excellent detail up top. Compromise somewhere is usually necessary.

Samhar...Interesting that you should mention the Purist Proteus Provectus. I seriously had been considering that along with some of the golds above prior to launching this thread. Both the golden hued and slightly dark sounding quality cables command my greatest attention.

I agree with Audiofeil here. In addition, why should I care if "MIT has the market cornered"? That is irrelevant to me, since in the final analysis, my only concern is does a particular cable help give me what I'm looking for in my system ?

Dave...Speaking for myself, the last thing I wanted was to create ill will. When I agreed with Audiofeil, it was in reference only to his objection to your statement about MIT's cornering of the market. I apologize for not clearly separating that from the other more personal remarks that Audiofeil made on his own. I was mainly trying to underscore the essential importance associated with each individual's making a choice based not on what the market or a business' claim to fame indicates, but what best reflects his or her personal tastes. I absolutely do have an interest in the characteristics you mention relating to large scale, weight and timbre in particular, and based on your recommendation, I am planning to audition the MIT S1.3

Well, Dave, I just noted your most recent comments on the Morrow after having posted my previous remarks. The Morrows have been praised by others in this thread. They might deserve some serious attention too.

I'm very grateful for the reponses that have been given so far, but just to reaffirm, I'm not looking for a particularly neutral as neutral cable. I prefer euphonic, burnished, somewhat dark or golden sound. How much so? I won't know until I've listened and decided, but that's where I'm headed. Some of the suggestions that have surfaced would seem to be in line with my tastes.