Hi,
New here and would like to chime in. :-)
The Diablo and T+A PA3100 are two of my favourite integrateds, in fact I own the T+A. I ran it with the B&W 805D3 for a few months and the synergy was pretty fine though not spectacular in any particular way. Certainly not overly bright, dry, or analytical though, the amp is too naturally warm for that. The T+A is actually known for it's liquidity and smoothness in the midrange and I would characterise it's overall sound signature as being at the other end of the spectrum from Devialet. Full and solid soundstage, wonderful transparency, a gorgeously textured mid bass, and sweets singing highs. And tons of unforced detail and dynamics. Not everyones cup of tea but certainly impressive. The Diablo 300 is an extraordinary music-making machine. I must say I now run my T+A with my Wilson Sabrinas and I very much prefer that combination than the B&W. Perhaps it's the speaker and it's interface with your room that is not jiving with you.
Cheers - Jay
New here and would like to chime in. :-)
The Diablo and T+A PA3100 are two of my favourite integrateds, in fact I own the T+A. I ran it with the B&W 805D3 for a few months and the synergy was pretty fine though not spectacular in any particular way. Certainly not overly bright, dry, or analytical though, the amp is too naturally warm for that. The T+A is actually known for it's liquidity and smoothness in the midrange and I would characterise it's overall sound signature as being at the other end of the spectrum from Devialet. Full and solid soundstage, wonderful transparency, a gorgeously textured mid bass, and sweets singing highs. And tons of unforced detail and dynamics. Not everyones cup of tea but certainly impressive. The Diablo 300 is an extraordinary music-making machine. I must say I now run my T+A with my Wilson Sabrinas and I very much prefer that combination than the B&W. Perhaps it's the speaker and it's interface with your room that is not jiving with you.
Cheers - Jay