Yes, is is about taking concert pitch A=440, and lowering it to 432. This means the whole whole song is dropped via a DSP. They say it’s more natural and pleasing to the ear. I suppose whats good about it is you can turn it on or off via a setting.As a recovering musician it's hard to wrap my head around that... listening to music I've known inside and out for years being pitch-shifted slightly downward would probably be too much of a distraction for me. I also can't believe this would always be entirely audibly seamless, as past experience with pitch shifting software has shown (Ed Selley's review says there are some infrequent but noticeable artifacts). Nonetheless this is an interesting piece of gear.
Innuos Zenith Mk3 vs Zen Mk3 + Phoenix
In a perfect world I would have the funds for a Zenith M3 and Phoenix, but I don’t.
I’ve read somewhere that the Innuos Zen 3 with Phoenix sounds better than the Zenith by itself. Has anyone here heard this comparison particularly on the same system and can describe your observations?
By going with Zen + Phoenix it’s about 25% more than a solo Zenith, so from a value proposition is the combo appreciably better, and the extra money spent worth it? Or is it wiser to buy the Zenith, If the different is small then perhaps add a Phoenix later if budget permits?
I’ve read somewhere that the Innuos Zen 3 with Phoenix sounds better than the Zenith by itself. Has anyone here heard this comparison particularly on the same system and can describe your observations?
By going with Zen + Phoenix it’s about 25% more than a solo Zenith, so from a value proposition is the combo appreciably better, and the extra money spent worth it? Or is it wiser to buy the Zenith, If the different is small then perhaps add a Phoenix later if budget permits?