Importance of power cable for Turntable?


Just purchased a Gryphon Diablo 300 integrated with the optional phono stage and DAC module.  I purchased AudioQuest Hurricanes for both the amp and my digital source.  How important would it be to do the same for a high end turntable (which I don’t have just yet)?  Would an AudioQuest Hurricane Source be a good choice for a high end turntable as well? Or is it even needed?  I do notice subtle improvements with my amp and digital source.

Thanks
nyev

Showing 3 responses by millercarbon

bdp24 reiterates and clarifies lewm:
It is not a symmetrical situation; if a difference between two competing components---in this instance power cords---is heard, the system is then ipso facto transparent enough to reveal that difference. On the other hand, if a difference in NOT heard, that does not necessarily prove a lack of transparency, for, as you imply, there may in actuality be no difference to be heard.


Close. Still begging the question though, and leaving out another explanation. If you can't hear it, it might not be the system at all. It might be you.

Why not? Isn't this something we've all gone through? I sure have! Back some 30 years ago I had been convinced by Julian Hirsch, et al, that there was no difference between wires, or even a lot of CD players for that matter. And when in fact I first went to listen and compare and see for myself I wasn't at first able to hear any difference.

At first.

But I kept at it and before long was not only hearing but able to describe and reliably evaluate differences between CDPs, transports, interconnects, power cables, speaker cables, cones, footers, capacitors, diodes, resistors, CDs with green pen vs CDs without, wires of all kinds, wires that had been cryo'd vs wires that had not, wires that were jumbled vs wires that were spaced and dressed, on and on and on. Not to mention speakers more than 1/16" out of alignment, whole systems demagnetized recently vs long ago, contacts recently cleaned vs long ago, and yes fuses and yes even which direction the freaking wire is going. Appliances turned on vs turned off. Breakers connected vs disconnected. Late night vs mid-day.

Are we there yet?

Not even. 

Speaker cables elevated above the floor on porcelain insulators called Cable Elevators. Speaker cables elevated above the floor by wood, plastic, paper, carbon fiber, other devices. Interconnects and power cords, ditto. CD player sitting on phone book. CDP sandwiched between phone books. CDP held in hands. CDP resting on Cones. CDP with cones in one place. VS another. Sitting on this. VS that.

There's four different methods I use before listening: warm-up the tube amp, play the XLO Test CD demagnetizing tracks, run the Radio Shack Bulk Tape Eraser over everything, and spray everything with Static Guard Anti-static spray. Why I do this and how often has nothing to do with anything anyone told me, nor was it determined by thinking, nor definitely not by typing on a keyboard connected to the interweb. How often I do this was determined by ME by LISTENING and COMPARING. I simply tried going different amounts of time between treatments, noting the difference, and deciding based on that how much deterioration I was willing to take as the price for the convenience of doing nothing.

So are we done beating this dead horse?

Not even! The corpse may be rotting but watch me beat the meat off the bones and the bones to dust!

In the beginning when I discovered BDR Cones they were so amazing I would take 3 with me to annoy and impress my friends. Richard had a dirt cheap one-box player with some hair-thin wire going to crap-box speakers. First we sat him on the sofa and moved the speakers to where he was surprised to find he could actually hear imaging. Then we put the Cones under the CD player. No problem whatsoever, he was amazed. Stupid Cones, $60, cost more than his whole stereo.

Another friend Doug, all through high school and college he was the only other guy I knew with any real interest in audio. So I brought the Cones down to show Doug. Who had such an enormous pile of mid-fi you could hardly believe it. I mean imagine a 1970's Pioneer integrated, and tuner, 1980's Sony Beta, Sanyo CDP, Comcast cable box, Playboy Channel decoder box, couple other no freaking clue what they are boxes, all stacked one on top of the other. Connected with patch cords. Connected to 1970's JBL speakers with lamp cord. 20 ft on one, 30 ft on the other. Probably 5 ft of it snarled around in the tangle of wires behind his pile of mid-fi crap.

It was the biggest challenge ever just figuring out where and how to get three Cones in there without bringing the whole mess crashing down.

When we did though, and I still can hardly believe this, but they did make a difference. Not much. But shocking, in those circumstances, to hear anything at all.

Not only me but others on this site have heard improvement moving just one wire just a few inches.  But whatever. There is still the slight possibility that something someone somewhere can dream up is different yet sounds exactly the same. There might even be some system somewhere so incomprehensibly unimaginably seemingly impossibly opaquely muffled and congealed and untransparent that everything comes out the same.

But for the most part, it seems pretty darn clear to me anyway, if you can't hear any difference at all its not the system, or any part of it, or anything even remotely having to do with it.

Its not the system. Its there. If you can't hear it, well there really is only the one thing left that it could be.....



Looking at all you're doing there nyev, I hope you're taking the time to audition and compare several candidates for each component?

Because, at the level you're spending at pretty much everything sounds surprisingly good. But that only makes it harder. Because it turns out to be really easy to spend a huge pile of money, each time on something that sounds really good, only to wind up with a whole system you never are quite satisfied with. Happens all the time. I would even say, more often than not, considering how many people there are around who are constantly on the upgrade treadmill vs how many are real happy and have been with the same stuff for years.

I mention this because I noticed, probably from your other thread, you are really happy with the Gryphon. But then with the power cords your comment was "I do notice subtle improvement" with the power cords. Nobody putting out $1.2k for a power cord should be talking about "subtle improvement". Subtle maybe between how it works on one vs another component. But the power cord itself, well let's just say the way the Gryphon makes you feel? If your power cord doesn't do that, keep looking. Because trust me, there is one out there that will. And I don't mean for a lot more money either.

nyev it doesn’t work quite the way you think. Having everything on one circuit almost always turns out to be better, especially with a turntable where the greatest source or risk of noise is hum, which usually comes from different ground potentials. Also nothing really isolates from anything else. Oh, to a degree. But we wish it were so easy.

No idea what table you’re looking at, but the realm you are in with what you mentioned so far, you should be looking at a lot more than a power strip to plug into. You can do a whole lot better than a 8D, which is basically just a power strip. A good power conditioner, everything plugged into it benefits.

And yes, great lengths in power conditioning only to use a freebie cord the last few feet is ironic. It makes no sense. At all. DYODD.