Of course we will try to overcomplicate this. But I think that’s a fair rule of thumb to simplify the 1-million-variable complexity of vinyl setups: if is sounds really good, it probably isn’t too far off the mark on anything. Maaaybe VTF and anti-skate can get into "you shouldn’t do that" territory without being overtly audibly bad. But VTF is super easy to check & re-check, and anti-skate should be applied sparingly.
You might add some conditions, too:
- Does it remain good across the whole record surface, especially inner grooves?
- Does it retain clean playback at loud SPL (exposing feedback and rumble issues), assuming the owner chooses to enjoy those levels? Boy has that one bit me lately lol.
I got a new Fluance RT85 a few years ago that sounded obviously "wrong" on first listen. There was a significant Left / Right imbalance, plus additional sonic problems, almost like the channels were a bit out of phase. Then I looked at the headshell, and the factory-installed Ortofon 2M Blue was clearly mis-aligned in the shell: it had a significant offset angle deviation, when the cantilever was straight. Squaring it in the headshell 100% fixed the sound. I forget if I even bothered to verify alignment on any of my tools lol. It still sounds good to this day.