I applaud your initiative. Unfortunately, it is clear not many have ventured into this territory. There is very limited guidance, and Many I hear go back to the way it was
I’ve tried to learn about this and most are very unclear what Will happen. There are voltage differences between different amplifiers that will require level adjusting via crossover I guess.
And then you are faced with constant manipulation and in light of all the various recording Quality differences I am not sure if it’s worth going down this path. And you could have a result where it doesn’t sound very good
I looked at the amplifiers designed for biamping from McIntosh, 451 and 901 and they look very good. And expensive. However, these things generate a ton of heat. The 901 is the equivalent of a portable heater set to low continuously.
The 901 uses about 900 Watts from wall when in use which translates to 3000 to 4000 BTUs, which equates to about 10 bodies in a room. A human generates about 300 BTUs sitting on the couch. And those that buy these amplifiers have dedicated air conditioning to minimize the heat impact. If you’ve ever had a lot of people in a room it gets very hot very quickly, and that’s what these amplifiers do to your room.
Quality tube amplifiers lose their appeal in this situation which is really sad. Maybe a lesser Power amplifier from Mac, ie 275 Will be perfectly wonderful for the upper range drivers. And I would especially be interested to know how biamping works out. I was tempted to try the mac stereo 1501 which is less powerful and generates less heat.
Another huge problem is all the additional cables you need to deal with, which offers all kinds of new challenges especially if you have a great speaker cable that now has to be supplemented with other cables.
So many issues.