I underestimated the impact a new cartridge would have


Many in the community learned long ago to not forget how important the cartridge is in the overall musical presentation.  I am not saying I thought it didn't matter, but I was very pleasantly shocked in my recent upgrade.  With anything in life there is the law of diminishing returns.  As a frugal audiophile who primarily purchases used equipment I am looking for that sweet spot to put the brakes on for upgrades.  With all the extra time lately to enjoy the stereo I have really been investing in upgrades.  My table is the Rega RP6.  I am very happy with this table but was ready to try a new cartridge.  I have only had used cartridges for my 15 year vinyl life.  The original MM on my first table, an 80's model Planar 2.  I bought the RP6 used so the Exact 2 was original and used.  I later picked up a used Sumiko Blue Point #2.  This was a somewhat lateral move....sounded nice but didn't impress that much.  Later I took a chance on a Goldring Eroica LX that had the Soundsmith sapphire retip service.  This was a significant upgrade over the Blue Point.  I had that for about 3 years.  Our good friend on here, Kron's amazing deals had me very excited to make a move.  One of my audiophile friends recommended the BENZ so I picked up the SM as I have a tube phono stage.  Right out of the box it blew me away!  The soundstage became 3-dimensional.  The lead vocalists all took a step forward and the voices are so precise.  The overall soundstage is more detailed with all instruments and backup vocalists  more precise.  The overall dynamics of the sound improved across all frequencies.  It was by FAR the best $800 I have ever spent on my system.  I have considered buying another one just to store away as I will likely need it one day.  Of course it also makes me wonder is there something even better???  Of course there is, but finding it is the challenge.  No idea if this cartridge offers this result in any system or if it just happens to like ARC tube gear.  Regardless....my point of this thread is to encourage vinyl lovers that have an old cartridge that has kind of been forgotten, to do some research and consider an upgrade.  Happy listening!
Dana
dhite71

Showing 1 response by kayleerex1

I started out in the 1960s and '70s with MM cartridges including a top of the line Shure V-15.  Using first a Garrard changer, then Miracord 50H, and, bought in Hong Kong on R&R in 1969, a Thorens TD 125 turntable with Shure SME 3009 tonearm, efforts were made to achieve better reproduction.  Despite these turntable upgrades, there was little, if any, improvement.
In 2001, a VPI TNT 3.5 with 10" JMW Memorial tonearm and a Grado moving iron cartridge were acquired with little enhancement.  Transition to a Shelter MC cartridge occurred in about 2005 with a Clearaudio Concerto cartridge followed by a Clearaudio Stradivari V2.  The MC cartridges did offer noticeably better reproduction, but at a cost in the case of the Stradivari of over $3,500.
A couple of years ago, I read a very favorable review of the HANA low output MC cartridge.  Since there was by then quite a bit of stylus time on the Stradivari, I bought the HANA.SL for just $750.  I was amazed at the improvement.  For the first time, I realized what was recorded on an LP; it was far more "life-like" than I heard on vinyl before and on CDs, too, for that matter.  The accuracy of the sound and the ambience was as close to live reproduction I had heard.
When the HANA ML came out, I bought one.  It was surprising to find that as good as the SL was, the ML was noticeably better. There is no longer any impetus to continue the search for a better phono cartridge, although the Hana Umami Red Moving Coil Cartridge is tempting.  It's price is in the neighborhood of the Stradivari, though, which is intimidating.

In my experience, the phono cartridge is the most significant determinant of sound quality in record reproduction.  The phono preamp is the next most significant.  It is with pride I mention that mine is the third and latest that I have designed and constructed.  It is just a two-stage affair with low-noise BJT input stage and MOSFET output stage, yet in testing done at a famous high-end audio manufacturer, was noted to be surprisingly low-noise, additionally tracking the RIAA curve with little deviation.
The two preceding designs had JFET input stages, but a low-noise BJT is a better choice when the output impedance of the driver (phono cartridge) is low.  This is the case with with MC cartridges.