Pshshsh, who conflates a deer hunt with the OP topic - wild goose chase - anyway!? 😉
I see the issue with ABX blind testing
I’ve followed many of the cable discussions over the years with interest. I’ve never tested cables & compared the sound other than when I bought an LFD amp & the vendor said that it was best paired with the LFD power cord. That was $450 US and he offered to ship it to me to try & if I didn’t notice a difference I could send it back. I got it, tried it & sent it back. To me there was no difference at all.
Fast forward to today & I have a new system & the issue of cables arises again. I have Mogami cables made by Take Five Audio in Canada. The speaker wire are Mogami 3104, XLRs are Mogami 2549 & the power cords are Powerline 10 with Furutech connectors. All cables are quite well made and I’ve been using them for about 5 years. The vendor that sold me the new equipment insisted that I needed "better" cables and sent along some Transparent Super speaker & XLR cables to try. If I like them I can pay for them.
In every discussion about cables the question is always asked, why don’t you do an ABX blind test? So I was figuring out how I’d do that. I know the reason few do it. It’s not easy to accomplish. I have no problem having a friend come over & swap cables without telling me what he’s done, whether he swapped any at all etc. But from what I can see the benefit, if there is one, will be most noticeable system wide. In other words, just switching one power cable the way I did before won’t be sufficient for you to tell a difference... again, assuming there is one. So I need my friend to swap power cables for my amp/preamp & streamer, XLR cables from my streamer to my preamp, preamp to amp & speakers cables. That takes a good 5-10 minutes. There is no way my brain is retaining what I previously heard and then comparing it to what I currently hear.
The alternative is to connect all of the new cables, listen for a week or so & then switch back & see if you feel you’re missing anything. But then your brain takes over & your biases will have as much impact as any potential change in sound quality.
So I’m stumped as to how to proceed.
A photo of my new setup. McIntosh MC462, C2700, Pure Fidelity Harmony TT, Lumin T3 & Sonus Faber Amati G5 & Gravis V speakers.
Showing 10 responses by benanders
@dwcda correct. And this has been demonstrated to take less time than many audio gurus assume. If comparisons are not a literal flip-switch, subjects can be quick to lose, alter or invent, context. A “trust your ears” stance is necessarily deaf to this ubiquitous limitation, and I think that’s fine so long as the choice is not professed to be useful for everyone’s case.
Situations like these, some folks will decide on alternative assessments that aren’t controlled. And for some folks, that’s good enough (and again, I agree fine, if they’re not processing it to be suitable as a rule). If one cable or three cables or all cables make a difference to your perception, whatever kinds of tests you have or have not done, the query for you is: How much difference should be perceived for said device(s) to be worthy of inclusion / purchase? | ||
@audphile1 WHAT?? | ||
That’s definitely not what I “said,” @soix . Demonstrable difference and perceived difference are not necessarily the same thing. If cables aren’t being demonstrated to have difference (whether through properly arranged listener pref studies or measurements or some option I’m unaware of), then there’s no evidence to support a perception of difference. That doesn’t mean something perceived as being different is not real. It simply means there’s insufficient reason to assume it would apply in any other situation, since so many other variables will change at the same time.
Well, I tend to think it keeps some things more predictable and interesting. Emotions like sorrow tend to get in the way of objectivity. 😉
Absolutely. As aforementioned, can be demonstrable or can be perceived (or can be both), so can be real or can be imagined (cannot be both); this gets muddled when some folks who don’t consider the discrepancies discuss everything they perceive as though it were demonstrable (= evidentially supported). So like I said, whether or not it’s intentional, that style of presentation can be misleading.
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You previously stated you surmise anyone who cannot hear differences that you perceive in cables, to have compromised hearing and/or equipment; that sure seems like professing to me. I’m unclear which stance you actually hold since it couldn’t very well be both, could it?
Well, that’s your prerogative @soix . Rigorous objective studies on our biological capacities and limitations tend to hold up among scientific panels and courtrooms, but admittedly Internet personalities can think of them whatever they want, whether or not they’ve reviewed the material.
@dwcda YouTube compresses sound files so there’s potential for argument. However, I’d expect any compression effects would be independent of cables. Multiple other reasons why YouTube clips could be problematic for comparisons like this, but I’ll try to give a listen later. Thanks @mihorn for making the effort. | ||
@soix , understood. Thank you for your clarifications. | ||
The drain-circling that purported cable audibility causes could be avoidable. … A fellow HiFi guru says “I perceive no difference”, well, that poor soul doesn’t have sufficiently well-trained ears and/or resolving enough kit to cut it. A musician says “I perceive no difference”, well, that player’s instrumental experience is too narrow. A conductor / music theory prof says “I perceive no difference”, well, live music and stereo playback are two different things, so that maestro’s comparing apples to oranges. A studio recorder/mixer/masterer says “I perceive no difference”, well, HiFi components that reproduce those recordings somehow reignite sonic elements lost or masked by gear-inattentive negligence of those techs who made said files. Then another forum avatar types “I do perceive difference…”, and no experience or credentials need be forthcoming: that fella understands! The anecdote rolls into a collective mindset convinced of reality despite lacking enough general curiosity to rigorously test it. And yes, anyone who swears cables are audible components and got upset by the term “snake oil” or someone insisting no difference could possibly exist, that’s the same tendency using different words, guised in an analogous package of pseudoscience. The two polarized mindsets can be much more alike than some folks seem to recognize. I really like the tv analogy @jetter - well-chosen! | ||
Heyya @soix , was your reply chat GPT-generated? It missed the point of my hypotheticals (= people sometimes perceive what they “want” to, so it’s dubious that audiophiles’ hearing isn’t prone to known human limitations). Oh well, maybe that’s on my writing. Im not sure I’m clear on how you meant me to interpret the term “measurement” as you applied it in your rebuttal. Seems you haven’t further interest, and that’s fine; otherwise you’re free to read on.
@audphile1 that video - strong effort, some audiophiles heed no limits (respect!), except respecting (uh oh, I sense a ‘but’…) the importance of sample size for study of behavior / perception. YouTubers and forum-goers continuing to avoid / dismiss a properly controlled sampling of human listeners for inquiries like this is not in line with methodological reality of how factual info is demonstrated. Is that tendency really due to some audiophiles’ assumption of (1) needing to be skilled / trained at listening to components, or just that (2) they might be inexperienced / untrained about how experiments must be structured? Maybe both are at play? I respectfully remain doubtful. Not for insisting whether there could be audible differences, but for some audiophiles persistently assuming properly controlled studies haven’t relevance for comparison in hifi. That is the common ground x Achilles heel of (1) most / all subjective listening tests and (2) most studies based on device-derived measurements (many lack properly controlled listener preference assessments with which to correlate conclusions). It’s a two-part equation but each “camp” keeps assessing one side only, from what I can tell. Whatever happened to A, B, C it’s easy as 1, 2, 3? As simple as… Doh! Hence my stance these discrepancies could be resolved. | ||
I think there lies the rub, @audphile1 - I’m not denying anything (I haven’t formally tested for it short of some blind swapping of some on-hand types). I’m reiterating the need for demonstration (of it being more than a placebo). As soon as one robust, properly controlled study is undertaken and shows a significant number of participants perceived difference between two or more types of cable, the stance of “no difference possible” will be disproven, or at least shaken. Nothing gets proven in science. Disproof is how the process is works. | ||
Well, that’s what I was getting at re: perceiving what one “wants,” @audphile1 - you plucked one sentence, chopped off the second half to change its meaning, then added a false narrative to make my statement contradictory. Odd if not uncommon behavior. Doesn’t warrant my effort to reconstruct what I hoped to convey. Sigh. I keep curious why folks who perceive sighted differences in their audio kit don’t aim to be more interested in uncovering whether it’s the kit or their brains as the source of perceived differences. To me, it’s just seems a weird thing to avoid. Obsessive minds can definitely be objective, and those folks tend to be very interesting (IMO); to be obsessive but only within the lanes of one’s own selective constraints for inquiry is fine, but it might not teach anyone much other than a suite of untransferable personal opinions (and if/when those are worded in factual tone, I’d say that can be an info QC issue). However, your mistaking my (lack of) formal testing for my (routinely performed) blind ABX’ing suggests an important knowledge gap, and as you don’t seem to wanna close it, I agree a good signal to end convo. All good, no hard feelings. 😊
ATM’s are likely designed / manufactured to a keypad standard shared by both drive-through and walk-up units. |