I have NOVA V's and I am not happy


I have a Mark Levinson 585 and a pair of Sonus Faber Olympica Nova V's and although I admittedly have some room acoustic issues that I am working on I am not happy with the sound. 

I listen to music LOUD. This Pairing thru a pair of Kimber Cable 8TC's gets bright in what I think is the 2 to 4 khz range and the sonus faber nova's seem to mute the lower end of female vocals, artist like Macy Gray or Tina Turner dont seem to have the same drive in the lower octaves. At the same time the upper end of vocals like Sheryl Crow can get too bright and cause fatigue (I am assuming this is in the 2 to 4khz range) I have tried every speaker placement you can think of, toe in, toe out. distance from front wall and I am adding acoustic treatments as fast as they can be shipped. 

Here is my question, I had Mark Levinson 436 Mono Blocks in the past connected to a pair of B&W Nautilus 802's thru a pair of MIT Shotgun bi-wire speaker cables and I never noticed that system to be bright. Granted that system was in a different room in a different house. Everyone is telling me that B&W is a brighter sounding  speaker by far over Sonus Faber. If I decide after all my room treatments that I am not a fan of the Sonus Faber sound where should I turn for my replacement speaker? Or is it Mark Levinson's Fault? I want Rich Lush Loud Musical sound. I like a decent sound stage, I also really love it when when you hear decay from the instruments. I don't really care if that's what is neutral or not that's what I like :) 

Where did I go wrong and what can I do to fix it?

Thanks Lee

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Showing 1 response by helomech

Those older Nautilus 800 series B&Ws actually measured fairly flat compared to current models and were arguably better speakers than the current series.

 

As for the SFs, I auditioned the Nova IIs and thought they were quite neutral. They were being driven by a relatively entry-level integrated though. 
 

I wonder if what you’re actually hearing is cone breakup from the midrange driver. It is absurdly common these days for manufacturers to fail to design a proper crossover network for the driver limitations. Even brands like Revel and Dynaudio have been guilty of this in recent years. They don’t low-pass the woofer or midrange cone at a low enough frequency so you end up hearing cone break-up distortion when the speaker is pushed, often in the 2-4kHz range where our hearing is most sensitive. I’m not claiming that’s definitely the issue with your SFs but it’s very common throughout the industry. No good excuse, just lazy engineering.

Anyhow, just a possibility. Also, as others have alluded to, some amps really struggle with the high capacitance of Kimber cables. I wouldn’t expect that from ML amps but something to experiment with. Supplementing some hardware store zipcord will be sufficient for determining whether it’s the Kimbers.