One thing vexing me this whole time is referring to the Manley Steelhead phono stage as a preamp. You would not be having these problems if this was a preamp. Your problems stem from the tremendous phono stage gain, something no preamp ever has or does.
These distinctions are important because it helps a lot to understand this stuff. A phono stage includes RIAA equalization. Since the lowest bass on a record is -20dB the phono stage has to equalize this 20dB. That is a lot of amplification, and it comes on top of the 40 to 65dB gain needed simply because cartridge output is so low.
This is the real reason hum is so prevalent in situations like this. Once you understand it you would never in your life even think about putting something like a motor or amp on top of a phono stage. Preamp maybe. Phono stage, never.
If you look inside one of these things you will see the circuit is laid out or organized so that incoming power and transformers are kept as far away as possible from the amplification circuits. Usually both physical distance and physical shielding are used. This is the case with all components. But with phono stages it is taken to extremes, because the phono stage takes everything to the extreme. So it is worth it to call it what it is, and it is not a preamp. It is a phono stage.
These distinctions are important because it helps a lot to understand this stuff. A phono stage includes RIAA equalization. Since the lowest bass on a record is -20dB the phono stage has to equalize this 20dB. That is a lot of amplification, and it comes on top of the 40 to 65dB gain needed simply because cartridge output is so low.
This is the real reason hum is so prevalent in situations like this. Once you understand it you would never in your life even think about putting something like a motor or amp on top of a phono stage. Preamp maybe. Phono stage, never.
If you look inside one of these things you will see the circuit is laid out or organized so that incoming power and transformers are kept as far away as possible from the amplification circuits. Usually both physical distance and physical shielding are used. This is the case with all components. But with phono stages it is taken to extremes, because the phono stage takes everything to the extreme. So it is worth it to call it what it is, and it is not a preamp. It is a phono stage.