How to dismantle Well Tempered for shipping?

@lewm My ’WTA’ Black arm replaced my older Ekos 2. The improvement in sound staging, particularly the sense of depth was very noticeable. The only arm that might...might be better on the LP12 is an Ekos SE, but even that is not a 100%. I have done an ’AB’ with the WTA against the Ekos-SE, same components except for arm cabling. The WTA was using Nordost Tyr phono cabling, while the Ekos-SE used the stock Linn T Kable.. The results was that the Ekos-SE has slightly more bottom end reach, but the WTA was still the soundstaging champ. The Ekos-Se was a lot easier to set up..and keeps it set up way better, but cannot adjust azimuth, which I think is a failing of the arm.

My dear now departed friend might have replenished the damping fluid in his WT Reference arm with something having a higher viscosity rating than the original, which certainly could account for its overdamped sonics. He wasn't sure what he put in there.  This was a guy who was a mechanical engineer and who taught me a lot about audio; it was very sad when he started to fail mentally, and I miss him to this day. But the unstable azimuth would seem to be a consequence of its basic design. 

Thank you lewm for your answer:

The hole is of course directly under the tonearm pivot. Nice right rear of plinth

;-)

I guess somethink like a spacer is needed to adapt the WT Classic tone arm on the LP12 with a Greenstreet Keel_Klone sub chassis for Ittock or Ekos arm?

the reason is the WT arm's shaft has a thinner diameter than the Linn Ekos tone arm...