@nonoise 
Whatever disadvantage my age gives me, it also gives me an advantage: having had to take music courses and classes in school back in the ’60s, so I actually know what the instruments of the orchestra sound like, something the younger set is woefully oblivious about.
So far, from what I’ve heard from younger guys who play in bands, their friends know NOTHING about an instrument. They can’t even identify it by sight. One guy who plays in a band told me that not one of his friends could identify an instrument. NOT ONE. It is not surprising that one is lectured by someone with half their knowledge (if that much).
I did not initially pay attention to the fact that the younger people seem to have no idea what acoustic instruments sound like (aside from guitar - if that!). I asked my niece one time, while we were listening to solo saxophone, what she thought the instrument was. She guessed a clarinet.
I suspect the further one starts from actuallyt knowing what instruments sound like, the harder it is to tell what is better and what is just different when buying components. How would one evaluate a speaker, unless it’s a case of this-sounds-good-to-me-so-that-means-it’s-great. Fine. If that’s all someone knows, then that’s their thing. It sure isn’t mine.
I play flute, so I can listen to any recording while using a flute (or piano) recording and being able to tell which flute sounds like a Yamaha (flute or piano). How others decide which component is better without any knowledge of acoustic instruments is beyond me.
I have one friend who minored in music in college, and we have great talks about classical pieces. He knows more than I do, so he’s the one who will get the DCS system when I die (my spouse would likely throw all the audio components away.)
I suppose one could just buy what one likes (and should), but when I have people telling me I have this thing they call ’confirmation bias,’ I usually ask what instruments they play, and the answer (if they bother) is usually: "none." At that point, I stop taking anything they write seriously. It is not ’confirmation bias’ when one OWNS an instrument(s) and knows what it sounds like. Any recording that I know the flutist used a certain brand of flute can be used (if it is a good recording) to determine accurate tonality. I don’t need the "blind test/A-B" rigamarole. I already know what the flute (and piano and cello) sound like.
So, my age hasn’t affected my knowledge, which includes 60+ years of classes, band practice, symphonies, operas, and the like. When I cannot identify a Yamaha piano from a Steinway - in ANY room that exists - THEN, I will know. But given how little others know of acoustic instruments? Baby, I got NOTHING to worry about. They can’t advise me about my "delusions" when they hardly known the objective reality.
Easier just to say inside my head, "Bless their hearts," and keep on with my own life.