How often should you re-calibrate your ears?


I went to see a jazz quartet last night in an intimate setting. It had been waay too long since I've been out to experience live music. Sitting at home listening to music and critiquing the accuracy of the recording is really worthless if you don't periodically experience a true reference...... a live event.

The experience provided me with some sorely needed perspective. I am now of the belief that twice a year is the minimun those in this hobby should experienc a live musical event of the type of music you listen to on recordings.

I now know I have been far too dependent on recorded music for too long. Live is still where it's at.
mitch4t

Showing 1 response by piezo

i listen to tons of live music of a lot of different typse, play blues in clubs and have a brother that is a talented sound engineer.

The biggest difference, eerything else being equal which it ain't) is that live show system move so much more air than most home systems could ever dream of. The result is that while my home speakers are supposed to be flat to sub 30 db, and a pair of dual 18 EV subs are good into the 40's and not flat at all, the EVs will prvide the chest pounding that the home unit won't.

Likewise, when i listen to Bonny Raitt for example, i get the sence that somewhere in the recording room there is a raging blackface Fender Super Reverb but the impact from those 4X10s on the verge isn't conveyed; and it usually doesn't translate all that well through a PA either. Stage volume has a huge effect on the overall feel of a show because that is the source of the dynamics before the compressor/limiters get ahold of things. Getting it all through the mains is like listening to a untweaked mega system thrown into a bar).

And to comment on Ez2hear's remark about hearing through the board or the speakers, he's dead on. Once you get through the rack into the mains and into the room, that sound will often little resemble the dry sound off of the board. Effects and EQ can cover a lot of ills, as does taking an offending musician out of the mix while he's engaging in hog cutting.